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Details
LOT 1600
Large Stone Age Pregnant Mother Goddess Idol Collection
NEOLITHIC PERIOD, CIRCA 6TH-4TH MILLENNIUM B.C. OR LATER
4 1/2 - 6 1/8 in. (1.57 kg total, 11.5-15.5 cm including stand).
Each carved in the round as a stylised pregnant woman with arms supporting the swollen stomach; each mounted on a custom-made stand. [2, No Reserve]
Provenance
From a collection acquired on the UK art market from various auction houses and collections mostly before 2000.
From an important Cambridgeshire estate; thence by descent.
Accompanied by an academic report by Dr Raffaele D’Amato.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12336-224211.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Literature
Cf. Morris, D., The Art of Ancient Cyprus, Oxford, 1985, fig.109, p.119, for similar idols; Various, Idoles, Au commencement etait l’image, A la Reine Margot, 22 Novembre 1990-28 Fevrier 1991, Paris, 1990, fig. 11, for similar; also see the view of Caldwell, Duncan, ‘The Use of Animals in Birth Protection Rituals and Possible Uses of Stone Figurines from the Central Sahel’ in African Arts, UCLA, 2015 Winter issue, vol.48, no.4, Nov., pp.14-25, figs.5, letters A,C, H.
Footnotes
Most scholars consider these as symbols of the fertility cult and as evidence of the existence of a matriarchal society as a form of organisation of the earliest human society. The people of the Stone Age may have considered figures such as this to represent women and mothers with their life-giving powers, or as depictions of the ancestors.
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LOT 1600
Large Stone Age Pregnant Mother Goddess Idol Collection
Sold for (Inc. bp): £715
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From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12336-224211. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Most scholars consider these as symbols of the fertility cult and as evidence of the existence of a matriarchal society as a form of organisation of the earliest human society. The people of the Stone Age may have considered figures such as this to represent women and mothers with their life-giving powers, or as depictions of the ancestors. -
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From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12335-224212. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Most scholars consider these as symbols of the fertility cult and as evidence of the existence of a matriarchal society as a form of organisation of the earliest human society. The people of the Stone Age may have considered figures such as this to represent women and mothers with their life-giving powers, or as depictions of the ancestors.
