A Sogdian or Sasanian head of a wild boar with detailed facial features including large snout, curled tusks, alert eyes with heavy eyelids, erect ears, the animal's mane framing the head and back; a series of small circles decorating the cheeks; an oval vessel mouth emerging from the mane and the spout formed as a pierced stud at the centre of the boar's chest.

PROVENANCE:
with a New York gallery, 1970s.
Private collection, London.

Accompanied by three black-and-white photographs taken prior to cleaning, believed to date from the 1970s.
Accompanied by an academic report by Dr Raffaele D’Amato.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12979-246395.

LITERATURE:
See Harper, P. O. and Meyers, P., Silver Vessels of the Sassanian Period, Volume I, New York, 1981, for discussion and examples of wild boar on other vessels; Carter, M.L., Goldstein, S., Harper, P.O., Kawami, T.S., Meyers P., Splendors of the Ancient East, Antiquities from the al-Sabah collection, London, 2013; Ebbinghaus, S., Feasting with gods, heroes, and kings, Cambridge, 2019; the style of the animal's head, the mouth, the ears and the body suggest that the object was manufactured in an Eastern Sasanian workshop. The image of the boar was diffused in the Persian iconography and royal imagery. A roughly horn-shaped rhyton found at Kish in Mesopotamia features a boar head (Ebbinghaus, 2019, p.328) while various hunting scenes represent the Sasanian Shahanshah (King of the Kings) and local rulers hunting the wild boar (Harper, Meyers, 1981, pls.X,XIV,15,20; Carter, Goldstein, Harper, Kawami, Meyers, 2013, pp.172-173). The most famous is the boar hunting scene on the Taq-e-Bostan reliefs.

FOOTNOTES:
The production of silver vessels and dinner objects for the court was highly centralised within the Sasanian Empire. In the 5th and 6th century AD, the production of silver vessels expanded, creating new shapes, such as pitchers, elliptical bowls and high-footed bowls. If the iconography included both Dionysian and Christian imagery, the subjects linked with royal power were the favourites, and among them, the boar. The boar was, in fact, the animal associated with the Zoroastrian Izad Vahram, the epitome of victory. It was not a coincidence that one of the usurpers of the Persian throne, the general Farrukhān, took the title of Shahrbaraz (reigning in 630 AD), whose name means ‘The Boar of the Empire’, attesting to his dexterity in military command and warlike personality. Shahrwarāz derived in fact from the middle-Persian word shahr (country) and warāz (boar).