Large Roman Ribbed Glass Wine Vessel

An engraved gemstone with a stylised image of Harpocrates, depicted as a naked child with a finger raised on his mouth, seated on a lotus flower in a boat, groups of wild animals arranged in threes surrounding; the other side with a magic inscription in Greek letters 'I, E, A, P, Φ, K, Ο, Γ'. 1.25 grams, 14 mm



Acquired before 1988. Ex family collection, by descent, Geneva.

Egyptian deities are often represented on magical gems. One of the most interesting figures is the image of Harpocrates seated on a lotus flower, called ‘the young sun’. This figure had a solar nature and a protective function.

A free-standing bronze imperial or military eagle terminal from a staff or a sceptre, modelled in the round in a dynamic pose standing on a globe, wings spread, head turned to the right, semi-naturalistic anatomical and feather detailing; the globe bearing an incised eight-armed stylised Macedonian star; sub-triangular lug to back of the neck; collar to globe with hollow underside. 166 grams, 88 mm high



with Bonham's, London, Knightsbridge, UK, 16 May 2002, lot 301. Accompanied by a copy of the relevant Bonhams catalogue pages. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11582-198947

In the Roman world, the eagle was associated with the god Jupiter or Zeus, king of the Olympian gods, and was seen as ‘the symbol and agent of apotheosis after death’. An eagle was released from the top of an emperor’s funeral pyre to signal the journey of the soul towards heaven. A sacred attribute of Jupiter, this eagle terminal may have been attached to a sceptre of the statue of the god. Eagles were also the principal standard of the legions, and became the military symbol for excellence.

A bronze figure or gaming piece of a nude female in crouching pose with hands placed on the hips, possibly giving birth; the hair shown drawn up in a bun, segmented armband to each upper arm. 30.4 grams, 28 mm high



Private Swiss collection, acquired 2002.

The dice features six attitudes on which it could land when rolled, one of which includes the figure's head. The earliest concrete historical evidence of games played with dice originated from ancient Egypt, circa 3000 B.C., although it is generally believed by historians that dice pre-dated the ancient Egyptian civilisation. The Romans played two games using dice: Tali and Tesserae. The former originated in Greece and features four animal bones. The aim was to roll in such a way that each die displayed a different number-the higher the combined number, the greater the score. The latter was played using three dice, the goal being to roll triple six, or to achieve the highest combined numbers out of the contestants; it was a game of chance and the most common street and tavern gambling game in ancient Rome. ‘Dogs’ referred to poor scores and ‘Venus’ to high ones. Roman players rolled dice from a special cup called a fritillium onto wood, bronze, or marble boards, depending on their class and wealth. Roman elites boasted ornate boards inscribed with their names. The gambling which ensued from dice games caused extreme social issues in Roman society, leading the government to eventually outlaw dice games, although these laws were largely ignored.