With luxuriant long wavy hair and characteristic vertical locks at the forehead, full beard with two large ringlets below the chin, wearing a chiton and a himation draped over the left shoulder, the head surmounted by a corn modius decorated with olive branch in relief, the bust supported on the back of an eagle standing atop an orb with spread wings, the eagle with its head slightly turned to the left, the feathers finely detailed; a finial from a staff or a ceremonial standard.

PROVENANCE:
Ex private collection, South Germany, 1980.
with Gorny and Mosch, Munich, 13 December 2003, lot 74.
with Christie's, New York, 8 June 2012, lot 239.

Accompanied by an academic report by Dr Raffaele D’Amato.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11789-206489.

LITERATURE:
Cf. similar bust in the Virginia Museum of fine Arts, inventory no.98.23; another similar piece, but with the eagle upon the polos, in Mitten, D.G., Doeringer, S.F., Master Bronzes from the Classical World, Exhibition, Fogg Art Museum/City Museum of Saint Louis/Los Angeles County Museum of Art, 1967-1968, no.217; for a bronze bust without eagle see the bust of Zeus Serapis in the Saint Louis Art Museum, inv. no. 69:1923.

FOOTNOTES:
The Emperor Septimius Severus (193-211 A.D.) modelled many of his portraits based on Serapis. But it was under Hadrian that the refurbishment of the statue in the Serapeum increased the demand for small-scale images, like this one, probably made during his reign and used atop of a processional sceptre or standard for the cult of the god.