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LOT 2147
Large Post-Classical Glass Paste Cameo of a Female Figure with Eagle
20TH CENTURY A.D.
3 3/8 in. (118 grams, 87 mm).
A cameo scene comprising a standing female figure with hair tied in a chignon, approaching a perching eagle with wings spread and clutching a sphere in one claw; the woman drawing the bird's beak close to her forehead; the eagle with claws extended leaning on a branch; exergue below.
ProvenancePrivate collection, England.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13172-249567.
The eagle is probably a metamorphosed personification of Jupiter, and the globe is a symbol of domain and military power. The scene is an interesting allegorical composition with possible references to the metamorphosis and Jupiter's love affairs, considering the presence of the naked female figure. The peculiar superimposition of the limbs is inspired by ancient models. The scene is engraved on the white layer of the glass paste, characterised by a dark violet second layer (seen with a powerful light from the back). On the back, traces of the glass dough melting. The evident presence of clear engraving marks and the cut glass bubbles confirms the fact that this work is an intaglio (not a cast). A work with a personality, showing undercuts.
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AUCTIONS:
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LOT 2147
Large Post-Classical Glass Paste Cameo of a Female Figure with Eagle
Estimate £2,000 - 3,000€2,320 - 3,480 (for guidance only)$2,700 - 4,050 (for guidance only)
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Large Post Medieval Merchant’s Seal Ring Engraved with 'BG' and Shield
Germany, 16th century A.D.Sold for (Inc. bp): £12,350
Engraved with the owner's initials ‘B G’ above a tilting shield with flanche; merchant's mark motif of capital 'A' and a cross. 20.03 grams, 28.33 mm overall, 23.00 x 18.47 mm internal diameter (approximate size British T 1/2, USA 9 3/4, Europe 21.89, Japan 21)
Private collection, Europe. Acquired on the English art market. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.13051-248349.
Merchants' marks were chosen by their owners as a form of personal cypher, and so it is almost impossible to decipher the owner of many merchants' marks, as they were not governed by the strict regulation and recording that heraldry laws dictated. Merchants' rings were engraved with geometric symbols used to mark their goods or personal belongings and used instead of a coat of arms for those not entitled to them. Most merchants in the sixteenth and seventeenth centuries had marks, easily identifiable and formed with a few strokes. Many such rings also bear religious or talismanic inscriptions or imagery, combining a spiritual with a commercial function. The shape of the shield on this example draws direct parallels to the heraldic shields and jewels of this period in Germany. -
Byzantine Style Agate Intaglio with Cross and Figures
18th-19th century A.D. or laterEstimate: £500 - 700 (+bp*)
Opening Bid: £250
With incuse processional cross potent flanked by robed figures and supporting a facing mask with nimbus; legend 'ΕΜΜΆΝΟΛΗΑ'; wreath in exergue; supplied with a museum-quality impression. 4.71 grams, 26 mm
Private collection, England. -
Mixed Bronze Artefact Group
1st millennium B.C. and laterSold for (Inc. bp): £20
Comprising trilobate arrowheads, bangle fragments, a fragmentary hooked mount, a conical mount with flared spout, and others. 157 grams total, 1.7-10.7 cm
UK gallery, early 2000s.