Large Medieval Pewter Female Saint Pilgrim's Badge

Comprising of one with suspension loop supporting a dangle; one with ribbing to the outter face. 8.25 grams total, 25-28 mm



Ex European collection. Ex Cambridgeshire, UK, collection.

A substantial and finely worked crucifix, of elongated proportions, the surface retaining traces of original mercury gilding, with the arms of the cross enriched by inset red, blue and green cabochons arranged in the manner of a crux gemmata; on the obverse, a slender corpus with clearly defined ribs, a gently inclined head, and a well-articulated drapery falling from the gathered perizonium, the face exhibiting serene, introspective expression, over the crowned head a rhomboid appliqué with Gothic inscription in red enamel 'HIS XRS' (Iesus Hominum Salvator Χριστός = The Saviour Jesus Christ), four lobed appliqués on the arms, each with a large central cabochon flanked by smaller cabochons in high settings; the reverse with the surface decorated with rosettes and other vegetal motifs enamelled in champlevé on the four arms, central circular appliqué with rich floral decoration and numerous cabochons. 3.55 kg, 74.6 cm



Maintained within a family’s ancestral country residence, where it formed part of a small group of inherited ecclesiastical objects retained in private hands throughout the 19th and 20th centuries, thence by descent to the present owner. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13030-247521.

A distinguished item of enduring Northumbrian heritage, preserved within the same local family household for several generations. By established family tradition, the crucifix is thought to possess early devotional associations with the Raymes Chapel of St Andrew’s Church, Bolam, a site historically connected with notable gentry of the district. The cross is an exceptional example of Late Romanesque art, combining champlevé enamel appliqués - flat panels with geometric ornament – and the arms of the cross decorated in champlevé. However, this piece is a composite artwork: the circular floral plaque from Limoges, on the reverse, dates from the second quarter of the 13th century, while the facade plaques, of similar origin, come from the end of that same century; the figure of Christ from Central France seems to belong to a later medieval period.

D-section hoop and disc bezel with crowned 'H' between fronds; attached to a collector's card with sample seal impression and legend 'London?'. 11.69 grams total, 26.75 mm overall, 22.20 mm internal diameter (approximate size British X, USA 11 1/2, Europe 26.29, Japan 25)



Found London, UK. From the collection of Dame Joan Evans (1893-1977), thence gifted during her lifetime to a gentleman collector friend from South East England.

Dame Joan Evans, DBE, FSA, FRHistS, enjoyed a long and distinguished career as an author and historian. She was appointed the president of the Society of Antiquaries in 1959, the first woman to hold this position, serving until 1964. From 1948 to 1951, Joan Evans served as President of the Royal Archaeological Institute. She received the Society’s gold medal in 1973. Joan Evans was honoured with a host of honorary degrees and fellowships, as well as fellowships of the Royal Historical Society and the Royal Society of Literature. She was a Chevalier of the Légion d’Honneur, and was appointed a Dame of the British Empire in 1976. She served as a trustee of both the London and the British museums, and as a member of the advisory council of the Victoria and Albert Museum.