Loading, please wait...
LOT 1855
Large Medieval Knight's Heraldic Seal Matrix
CIRCA 14TH-15TH CENTURY A.D.
1 1/4 in. (17.9 grams, 32 mm).
'Chessman' type with pierced trefoil knop and faceted shank; underside with heater shield and mural crown on a quatrefoil; shield bearing three martlets over a fess with chevron in base. [No Reserve]
ProvenanceFrom the private collection of a Sussex, UK, gentleman.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
TimeLine is a leading auction house specialising in antiquities, ancient art, collectables, natural history, coins, medals, and books. Our auctions offer museums, collectors, historians, and enthusiasts the opportunity to acquire unique and historically significant pieces.
LOT 1855
Large Medieval Knight's Heraldic Seal Matrix
Estimate £150 - 200€170 - 230 (for guidance only)$200 - 270 (for guidance only)
-
Three Pewter Pilgrim Badges
France, 14th-15th century A.D.Estimate: £300 - 400 (+bp*)
Bids: 1 | Current Bid: £160
The first a circular badge of St John the Baptist, his severed head depicted on the circular plate with small loop for attachment at the top, inscription reading 'SIGNVM S’ IOhIS BABTIS' with a horizontal stroke to the 'h' so that it doesbles as a cross; a small badge of the Archangel Michael, shown fully armored and holding a sword above his head having bested Satan in personal combat; the final badge in the form of a dolphin, a secular piece likely worn by a follower of the French Dauphiné Charles V. 10.5 grams total, 24-38 mm
Former Forgeais (1822-1878) collection, France, thence by family descent. Arthur Forgeais was a noted 19th-century French archaeologist. Born in 1822 in the city of Paris, Forgeais held a special interest and specialism in the medieval history of his home city. When, in the mid-19th century, the Seine was dredged during Haussmann's renovation of the city, the scholar worked to recover a great number of archaeological remains from the silts of the river. He subsequently published his findings in the five-volume title Collection of Historiated Leaves Found in the Seine and Collected by Arthur Forgeais (published 1862-1866). The present collection of pewter pilgrim badges, all French in origin, is likely to have been recovered at this time. -
Medieval Bronze Knight's Holy Sepulchre Badge
Circa 13th-14th century A.D.Estimate: £50 - 70 (+bp*)
Opening Bid: £5
Formed as a cross-crosslet, the symbol of the Knights of the Holy Sepulchre, with a punched-point border. 0.72 grams, 20 mm
Found North Yorkshire, UK.
The 'Equestrian Order of the Holy Sepulchre of Jerusalem' was an order of knighthood under the protection of the Pope, formed around 1099 AD by Duke Godfrey of Bouillon, the leader of the First Crusade. It was established for the protection of pilgrims travelling to the Holy Land and was recognised by a Papal Bull in about 1113 AD. -
Romanesque Limestone Capital with Reef Knot
Visigothic Style, 12th century A.D.Estimate: £6,000 - 8,000 (+bp*)
Opening Bid: £3,000
Pillar capital for an architectural column or pier decorated with dense vegetation motifs, tapering swags or garlands; reef-knot motif and leaves above; unworked to the reverse. 74 kg total, 51.5 cm high including stand
Ex French collection. Holz Artles, 25 April 2015, no.83. Private collection, Kensington, London. Private collection, UK. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13383-259007.
This finely carved capital belongs to a group of Romanesque capitals known as knotwork capitals, widespread in the South of France and North of Spain, where the influence of the architecture of the old Visigothic Kingdom was still strong. These capitals probably originate in one of the most famous sculpture workshops of Romanesque France. The base of the capital is topped by a row of abstractly sculpted acanthus leaves. The dominant section of the capital is decorated with stylised knotwork, composed of ornament that entwine and end in folded acanthus leaves. In between the entwined branches, there is more foliage forming the ‘head of a monster’ which playfully animates the sculpture.