Large Marble Relief with Roman-Era Scene of a Boy Presenting a Scroll

Finely modelled with a black-and-white enamelled mask, the features animated by rose-cut diamond eyes and a small ruby set into the open mouth; the head framed by a serrated gold collet and flanked by silver foliate clusters each set with a further rose-cut diamond; the shank formed as asymmetrical rococo scrolls with pierced and chased detailing throughout, the reverse of the bezel open, revealing white enamel engraved with faint traces of an original posy inscription. 2.28 grams, 21.10 mm overall, 17.45 x 16.35 mm internal diameter (approximate size British N, USA 6 1/2, Europe 13.72, Japan 13)

The enamel remains entirely original and unrestored.

Acquired on the European art market. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13321-257909.

Though now largely worn, the underside of the bezel would likely have borne a concealed love sentiment, comparable to the formula Je cache mes amours ('I mask my love'), found on related rings of mid-18th-century manufacture. The theme of the masked lover, drawn from contemporary masquerade culture and its associations with flirtation, secrecy, and clandestine courtship, here transforms the jewel into a witty and intimate token.

Rectangular slab with raised border and high-relief scene; three standing females wearing floor-length draped and tiered robes, holding hands; the left figure with right hand extended slightly, holding out the folds of her robe, head turned back towards the middle figure whose hand she holds; middle figure facing with diadem in her neatly dressed hair, holding the extended hand of the third figure holding the hem of her robe and angled stiffly away from the others. 145 kg total including stand, 106.5 cm wide



Private collection, UK. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13391-259010.

A group of three young females is often interpreted as the Three Graces. However, in classical art, these three figures usually stand close together and are nude or sparsely clothed - unlike the females in this carving. Groups of three goddesses - such as Persephone, Demeter and Hekate - may denote the phases of the moon or, more broadly, the three phases of a female life as maiden / mother/ elder. The scene bears some resemblance to the 1st century AD relief of 'Three dancing nymphs' in Santa Barbara Museum of Art, California; however, that has a more exuberant and lively air contrasted with the rigid formality of the piece.

Plano-convex in section, asterisk to underside, eyes drilled to accept inserts. 1.58 grams, 19 mm



Acquired on the European art market in the early 2000s. with Galerie Rhéa, Zurich, Switzerland.