Large Luristan Bronze Pin

Small mouth raised sharply in the middle, large nose with angular depressions for the nostrils, deep eye sockets to accept inlay, upper and lower eyelids with rounded ridges, eyebrows tapering towards the outer end; chiselled ears, top of the head cut off flat at the hair line, back of the head left roughly tooled with central vertical insertion pin; mounted on a custom-made display stand. 2.12 kg total, 18.7 cm including stand



UK collection, 1990s. Acquired on the UK art market, before 2000. Private collection, Mr M.V., a London-based businessman. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Usually the heads of this typology are exhibited frontally and in symmetrical manner. Many of the heads have rather angular features. Nearly all the objects in this category were ornamented with inlay- the eyes and the eyebrows, in many cases. The sockets designed to receive the inlaid eyes are usually shaped in a rather naturalistic way.

Broad and squat with impressed guilloche below the inner rim, repoussé frieze with fleeing ibex attacked by a gryphon and kneeling archer to the rear; central rosette; seven incised characters to inner face and four to outer face. 277 grams, 15.5 cm



The Saleh Collection, Germany, formed 1972. Private collection, UK. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12809-241324. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

The presence of decorated bronze bowls during the later Pre-Islamic period, mainly in the territories of the modern Emirates, is well documented. Many decorated bowls and bowl fragments were discovered at Mleiha, one or more possible fragments were found at ed-Dur and a single bowl comes from a Pre-Islamic period C tomb in Dibba. They are also similar to the so-called Phoenician - or more correctly Levantine - bowls produced in the 9th-early 7th century B.C. They combine local Levantine elements with imagery borrowed from Mesopotamia and Egypt, and local Arabian themes, such as camel and horse riding, often composed in radial zones.

Depicting seated god facing three standing figures, restrung pair of red stone beads, old handwritten label '1648'; accompanied by a copy of an old scholarly note, typed and signed by W.G. Lambert, late Professor of Assyriology, University of Birmingham, 1970-1993, which states: 'Cylinder Seal of Cream Fossil Shell, 35 x 22 mm. On the right sits a god, bearded, hair done up in a bun, wearing a horned tiara and a long, flounced robe, and raising one hand' before him stands a deity in a long robe falling in pleats and holding by the wrist a worshipper behind, who is bringing a kid as a gift to the seated god. The worshipper's wife stands behind him, with different hair style but similar clothing, holding a bucket in one hand. There is a crescent moon in the sky and between the two gods an oblong filled with circles; and a fish. This is an Akkadian seal from Mesopotamia or West Iran, c. 2300-2200 B.C. The presentation scene it shows was meant to be understood as the seal owner and his wife being introduced to an important god who could help them. The oblong object with circles in not certainly understood, but it may be a tray in which small cheese were put to drain.'; accompanied by a museum-quality impression. 30.9 grams, 35 mm



Armand Trampitsch, Glyptique Archéologie, Paris, Hôtel Drouot, 13-14 May 1992, no.23 [Part]. Accompanied by a copy of a scholarly note, typed and signed by Professor Wilfrid George Lambert in 1992. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.