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LOT 0059
Large Greek Terracotta Oinochoe with Swastikas
GEOMETRIC, 8TH CENTURY B.C.
14 in. (2.04 kg, 35.5 cm).
With flared mouth, wide neck, bulbous body and ring foot, painted in brown and red matte glaze; geometric pattern spread over several registers separated by bundles of encircling stripes, triangles with hatching inside them, neck with metopes containing swastikas, rosettes and rhombuses with a band of rhombuses beneath; the shoulder with five line friezes arranged one above the other; the body decorated with meander and a band of rhombuses and triangles with hatching below, a broad black stripe (in places reddish as a result of misfiring) to the lower part; transition to the ring foot and ring foot painted black; wide strap handle attached to the shoulder and painted on the outside with a wavy line framed by dots, edge stripes and three small stars, the connecting bar patterned with stripes; museum-quality restoration.
ProvenanceEx Madame P., Paris.
Accompanied by an academic report by Dr Raffaele D'Amato.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12460-228686.
Cf. for the shape of the oinochoe and its decoration with horizontal stripes Boardman, J., Early Greek Vase Painting, 11th - 6th Centuries BC. A Handbook, London, 1998, figs. 114 and 119; for a similar decorated oinochoe in the British Museum, accession no.1912.0522.1; the Saint Louis Art Museum, object number 172:1987.
FootnotesVessels of the Geometric period (900-700 BCE) are easily recognisable by their abstract decorative designs, which had their origin in woven textiles and baskets. While early period pottery typically has sparse geometric motifs on a black background, the amount of decoration increased progressively to the point that objects from the late Geometric period are often entirely covered - in this example, even the strap handle.
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LOT 0059
Large Greek Terracotta Oinochoe with Swastikas
Estimate £3,000 - 4,000€3,480 - 4,640 (for guidance only)$4,050 - 5,400 (for guidance only)
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Mycenaean Glazed Terracotta Conical Shaped Stamp Seal with Animal
Circa 1st millennium B.C.Estimate: £100 - 140 (+bp*)
Bids: 1 | Current Bid: £90
Conical body pierced through the top, the underside with an incuse seated beast with open wings facing back; accompanied by a museum-quality impression. 4.55 grams, 20 mm wide
UK private collection before 2000. London collection, acquired on the UK art market. -
Greek Bronze Ring with Centaur
3rd-2nd century A.D.Estimate: £200 - 300 (+bp*)
Bids: 4 | Current Bid: £180
With a slender hoop and an oval bezel with a galloping centaur facing back with his arms raised. 3.40 grams, 22.48 mm overall, 18.34 mm internal diameter (approximate size British Q, USA 8, Europe 17.49, Japan 16)
Ex German art market, 2000s. Acquired from an EU collector living in London. From the collection of a Surrey, UK, gentleman. -
Greek Red-Figure Bell Krater Belonging to the Chevron Group
Apulia, 4th century B.C.Estimate: £1,500 - 2,000 (+bp*)
Bids: 2 | Current Bid: £1,000
With reserved herringbone band beneath the rim, wave pattern to be the baseline; Side A: young man with thyrsus and pendant streamer holding a phiale, a loose mantle draped from the elbows; Side B: head of a lady of fashion with white accents to her stephane and hair drawn up in a chignon, a volute and window before her. 1.11 kg, 23.2 cm wide
Acquired on the art market between the late 1990s and mid-2000s. Estate of the late Barry Paul Buxton (1944-2024), Oakham, Rutland. Acquired on the UK art market, 2025. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.13071-249285.
Bell kraters were commonly used in regions of ancient Italy for mixing and serving wine during communal gatherings, thanks to their wide shape and flared mouth. These vessels also served as artistic expressions, reflecting the cultural tastes of the time. The Chevron Group is the conventional name for a group of ancient Apulian red-figure vase painters who were active in Southern Italy between approximately 335-310 B.C. They are named for their distinctive use of a band of chevron patterns to encircle the rims of the small kraters (mixing vessels) they decorated.