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LOT 0038
Large Greek Terracotta Draped Statue in Praying Attitude
4TH CENTURY B.C.
14 1/2 in. (1.53 kg, 37 cm).
Hollow-formed standing male in floor-length robe with copious sleeves, the left hand held across the chest and the right hand raised palm-outward; short hair combed forward in a severe style; tiered base.
ProvenanceAcquired in the mid 1980s-1990s.
Private collection, Switzerland, thence by descent.
Private collection, since the late 1990s.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12214-222196.
This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.
Cf. similarly formed item in Metropolitan Museum of Art under accession no.59.48.14.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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LOT 0038
Large Greek Terracotta Draped Statue in Praying Attitude
Sold for (Inc. bp): £1,820
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Cypriot Terracotta Mask with Helmet
6th-5th century B.C.Sold for (Inc. bp): £442
Modelled in the half-round with stylised facial features and wearing a large helmet; mounted on a custom-made display stand. 94 grams total, 50 mm (66 mm including stand)
with Hotel Drouot, Succession of Former collection Colonel W. Mutiaux, Paris, 5 September 1952, lot 66. Ex collection of Eugène Muriaux (1846-1925?). From the collection M.W., Paris, France, 1950-1970. Ex collection of Françoise and Claude Bourelier. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.
The man's helmet is typically Phoenician-Cypriot. Therefore, it is possible to consider this terracotta as the portrait of a Cypriot warrior, with Greek and Phoenician elements. The artefact is part of ex-voto productions with Greek-Phoenician characteristics widespread throughout the Eastern Mediterranean. -
Minoan Red Jasper Seal Depicting a Lion Attacking a Bull
Late Helladic, circa 1400-1300 B.C. or laterSold for (Inc. bp): £5,720
Of lentoid form with domed reverse, showing a lion attacking a bull from above with its jaws and claws sunken into the bull's hindquarters, the bull shown standing with its head turned towards the lion in the act of trying to pry it off with its long horns; pierced horizontally. 7.45 grams, 26 mm
With Münzen und Medaillen A.G., Basel, prior 1980. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12465-228767. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato. -
Hellenistic Bronze Protome of a Maenad
3rd-2nd century B.C.Sold for (Inc. bp): £4,420
Modelled in the half-round as a maenad or Artemis, hollow to the reverse with diadem of ivy leaves with clusters of berries at the centre, exaggerated lentoid eyes, peplos dress secured at her left shoulder by a disc brooch and at her right with a cloven hoof. 541 grams, 14 cm
Acquired before 1983. Ex London gallery, 1990s. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12519-231946. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.
The Greek deity Artemis was the goddess of hunting, associated with wild animals and woodland as well as childbirth. She was often linked with folk magic and witchcraft due to her role as goddess of the moon. She was identified by the Romans with the goddess Diana. Artemis was born, with her twin brother Apollo, on the island of Delos, daughter of Zeus and Leto. Homer refers to her as Artemis Agrotera, Potnia Theron: "Artemis of the wildland, Mistress of Animals". Her best-known cult sites were on the island of Delos, in Attica at Brauron and Mounikhia, and in Sparta. She was often depicted in paintings and statues in a forest setting, carrying a bow and arrows, and accompanied by a deer. In Greek classical art, she is usually portrayed as a maiden huntress: young, tall and slim, clothed in a girl's short skirt, with hunting boots, a quiver, a bow and arrows. When portrayed as a moon goddess, Artemis wore a long robe and sometimes a veil covering her head. Her darker side is revealed in some vase paintings, where she is shown as the death-bringing goddess whose arrows fell young maidens and women, such as the daughters of Niobe. Artemis was also identified with the ancient mother goddess at Ephesus in modern-day Turkey and it was there that a huge temple was built in her honour, long recognised as one of the Seven Wonders of the World.