Loading, please wait...
Details
LOT 0094
Large Greek Red-Figure Skyphos with Owl
SOUTH ITALIAN, 5TH-4TH CENTURY B.C.
6 7/8 in. (239 grams, 17.5 cm).
With mammiform body, pedestal base and two loop handles; each side with a facing image of an owl between laurel fronds.
Provenance
Swiss private collection, assembled in the 1960s-1970s.
Private collection, acquired in 2013.
Accompanied by a thermoluminescence analysis report no.N126a14 from Oxford Authentication.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12854-241751.
Literature
See Johnson, F. B., ‘An Owl Skyphos’, in Mylonas, G., Studies Presented to David Moore Robinson on His Seventieth Birthday, vol. 2, St. Louis, 1953, pp.96-105.
Footnotes
Bubo was the holy beloved magical owl of the goddess Athena, and it was a common subject on Greek painted ceramics. The owl-skyphos, originally produced in 5th century Athens, was extremely popular and was exported from Athens to other parts of the Greek world, including southern Italy and Etruria. Local imitations have been excavated at Corinth, and during the fourth century, or perhaps even slightly earlier, skyphoi similar to those from Athens were produced in Apulia and Etruria.
CONDITIONVETTING:
TimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
TimeLine is a leading auction house specialising in antiquities, ancient art, collectables, natural history, coins, medals, and books. Our auctions offer museums, collectors, historians, and enthusiasts the opportunity to acquire unique and historically significant pieces.
RELATED LOTS
-
Parthian Blue Glazed Water Vessel
1st century B.C.-1st century A.D.Estimate: £300 - 400 (+bp*)
Opening Bid: £135
Discoid body and short tubular neck with everted rim, two loop handles. 561 grams, 19.2 cm
Ex London, UK gallery, 1971-early 2000s. Private collection, London. -
Greek Red-Figure Squat Lekythos Attributed to the Meidian Painter
Attic, circa 420-400 B.C.Sold for (Inc. bp): £715
Comprising a bulbous body with narrow neck and handle to the rear; radiating petals on the neck with a band of volute scrolls below, the body showing a female in a dynamic pose, dressed in an elaborate long dress and holding a plate of fruit with her left hand, a seated female before her; attributed to the Meidian Painter; some restoration. 95 grams, 10.9 cm
Ex Prof. Dr Hans (1918-1984) and Dr Ines (1922-2013) Jucker, classical archaeologists, Bern, Switzerland. with Galerie Rhéa, Zurich, Switzerland. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12645-236462.
Dancing women are a characteristic of the Meidian Painter. They are depicted as young women, wearing Doric costumes, earrings, pearls surmounting diadems, and golden bracelets, holding a patera and (probably originally here too) a thimiaterion. -
Greek Terracotta Head of an Actor Vase
Circa 4th century B.C.Sold for (Inc. bp): £2,730
An expressive polychrome vase formed as the head of an actor wearing rosette earrings, open mouth and applied pupils, short neck with everted rim above and a small strap handle to the rear. 69.3 grams, 75 mm
Ex Louis-Gabriel Bellon, France, (1819-1899). with Galerie Rhéa, Zurich, Switzerland. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12667-236389.
In Greek theatre, actors wore masks made from materials like linen and leather, which amplified expressions and helped actors take on multiple roles within a single play. Aristotle, in his Poetics, highlighted the importance of masks in conveying emotion and character, especially in large outdoor theatres. This terracotta, representing the satirical mask of a woman, with its lively and expressive features, would have brought both humour and recognisable character traits to the stage, engaging audiences with the playful spirit of Greek comedy.
