Loading, please wait...
LOT 0055
Large Greek Hydria with Egg-and-Dart Motifs
EARLY 5TH CENTURY B.C.
14 in. (4.7 kg, 39.5 cm).
A spectacular bronze hydria composed of a tapering body, broad shoulder and waisted neck, the everted rim decorated with egg-and-dart motifs, three round-section handles and tiered, ogival foot; professionally restored. [No Reserve]
ProvenanceAcquired circa 1989-1990.
Private collection of N.A., Niedersachsen.
Accompanied by an original French cultural passport number 226773 dated 3 June 2021.
Accompanied by an academic report by Dr Raffaele D'Amato.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11306-190969.
Cf. The British Museum, museum number 1875,1110.1, for a similar example dated 350-300 B.C., published in Walters, H.B., Catalogue of the bronzes in the British Museum, Greek, Etruscan and Roman, London, 1899, no.312; cf. The Metropolitan Museum, accession number 06.1078, for similar vessel dated 5th century B.C., from Galaxidi; cf. Diehl, E., Die Hydria. Formgeschichte und Verwendung im Kult des Altertums, (1964) 31 f.; Taf. 9 B 110; cf. also Mitten D. G. and Doeringer S.F., Master Bronzes from the Classical World, Mainz, 1967, pp. 108-109, no.108, for a similar example in the Fogg Art Museum, Cambridge, Massachusetts.
FootnotesWhilst such vessels were originally produced for holding water, hydriai were often re-purposed. From the 5th century B.C. onwards, they also had a funerary function, used in the cult of the dead and the underworld. Appearing as grave deposits, they were sometimes used as funerary urns, receptacles for the ashes of the deceased (see the MET hydria from Galaxidi, found with the bones still inside). Hydriai were also commonly associated with rituals relating to the cults of the gods. They have been found in temples and public buildings and have been recorded as prizes in athletic games. It has also been suggested that the more lavish examples were gifted to brides.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
TimeLine is a leading auction house specialising in antiquities, ancient art, collectables, natural history, coins, medals, and books. Our auctions offer museums, collectors, historians, and enthusiasts the opportunity to acquire unique and historically significant pieces.
-
Greek Marble Head of a Female
4th-1st century B.C.Sold for (Inc. bp): £715
A head of a female carved in white marble, modelled in the round with semi-naturalistic facial features and hair tied back into a chignon at the nape of the neck. 163 grams, 59 mm high
Acquired early 1990s. Ex private American collection; thence by descent. Private collection since 1998. -
Villanovan Two-Handled Jar
7th century B.C.Sold for (Inc. bp): £1,820
A terracotta amphora composed of a squat bulbous body and rounded shoulder, waisted neck, integral loop handles and integral foot, decorated with scrolling S-motifs, clusters of dots and combed chevrons. 145 grams, 10.5 cm wide
Ex collection of P. Linders, Herrliberg, Zurich, Switzerland. with Galleria Serodine SA, Ascona, Switzerland, 12 November 2008. -
Archaic Greek Mounted Warrior with Shield
7th-5th century B.C.Sold for (Inc. bp): £338
A terracotta figure modelled in the round as a mounted warrior, the stylised horse modelled standing on stub legs, with a long neck and detailing to its eyes; the warrior holding a shield in his left hand, right hand and arm raised to eye level, wearing a crested helmet; restored and mounted on a custom-made display stand. 410 grams total, 16 cm high including stand
Acquired before 1990. From an old German collection.
Terracotta figurines of horse and rider were common grave offerings in Boeotia, northwest of Attica, particularly during the 6th century B.C. Representations of warriors on horseback were already widespread in the Geometric Period, and also widely employed in Cyprus in this same period. The image of our rider, although influenced by Cypriot designs, does not show typical Cypriot characteristics, and indeed his kausia cap suggests a northern Greek origin.