Large Greek Bronze Ring with Standing Goddess

Broad and shallow with two strap handles; ivy leaves and berries on the inside rim, tondo with cloaked figure surrounded by geometric motifs; outside with palmettes, scrolls and other motifs; repaired. 220 grams, 22 cm wide



Acquired on the art market between the late 1990s and mid-2000s. Estate of the late Barry Paul Buxton (1944-2024), Oakham, Rutland. Acquired on the UK art market, 2025.

Plano-convex in profile with impressed dolphin and legend. 1.05 grams, 17.71 mm



Acquired in 1994. Private collection, Switzerland, thence by descent. Private collection, since the late 1990s.

This Phoenician terracotta bulla, decorated with a dolphin, reflects the strong maritime identity of the Phoenician world. Bullae were typically used to seal documents or goods, serving both a practical and symbolic function in trade and administration. The dolphin, a creature closely associated with the sea, would have held particular meaning for the Phoenicians, whose culture and prosperity were deeply tied to seafaring and commerce across the Mediterranean. Often seen as a symbol of protection, guidance, and safe passage, the dolphin adds an additional layer of meaning to the object, suggesting not only its use in everyday transactions but also a connection to the wider beliefs and environment of the ancient coastal world.

Carved in the round figure of the goddess standing nude with one hand raised and the other on her pudendum, her hair gathered into a chignon with lateral bunches on the crown and with voids to allow for the suspension of small gold earrings; putto at her left knee; left hand partly absent; remounted on a socle base. 1.2 kg, 32.7 cm



Acquired in the 1992. Private collection, Switzerland, thence by descent. Private collection, since the late 1990s. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12860-241669.

Aphrodite, the Greek goddess of love and beauty, was one of the most widely worshipped deities in the ancient world, particularly across the eastern Greek regions of Asia Minor. In these areas, her image often blended traditional Greek ideals with local influences, giving rise to distinctive regional styles. Marble figures such as this would have served not only as works of art but also as expressions of devotion, reflecting both personal piety and broader cultural values surrounding beauty, fertility, and desire. The enduring popularity of Aphrodite’s image speaks to her central role in daily life, where she was invoked not just in matters of love, but also in marriage, prosperity, and well-being.