Large Greek Bronze Ring with Standing Goddess

Featuring a slender round-section hoop and a large lentoid bezel with a warrior riding a lion(?). 3.69 grams, 23.07 mm overall, 18.79x18.55 mm internal diameter (approximate size British R USA 8 1/2, Europe 18 3/4, Japan 18)



From the private collection of a European gentleman (1942-2024), formed since the 1970s.

Comprising: a broad shallow bowl with two loop handles curving up towards the rim, short stem and broad foot with chamfered outer edge; the bowl with reserved central disc to inner face, palmette motifs at the junctions of the handles, frieze depicting two standing nude males flanking a crouching sphinx in profile; restored and with old dealer's labels beneath base. 414 grams, 27.3 cm wide



Ex Prof. F.S., Villingen-Schwenningen, Germany, 1991. with Gallery Drees Archeo S.P.R.L., Brussels. Acquired from the above, 16 December 2017. Accompanied by a copy of an Art Loss Register certificate, no.S00041086. Accompanied by a Gallery Drees Archeo certificate of authenticity. Accompanied by a thermoluminescence report no.0102 0910 from Laboratory Ralf Kotalla, 6 September 2010. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12945-246388.

The present piece is a wide-bowled drinking cup known as a kylix - one of the most popular forms of pottery from the Achaean times (1600-1100 B.C.) through to the classical period (c.510-323 B.C.). It dates to an important moment in the development of Greek ceramics, just as the black-figure technique was being perfected by Athenian painters. Painted in black slip with details incised on top, kylikes usually had a frieze around the outside of the bowl as well as another scene on the tondo of the inside. The scene here represented can be linked with the well-known episode of Oedipus and the Sphinx.

Plano-convex in profile with impressed dolphin and legend. 1.05 grams, 17.71 mm



Acquired in 1994. Private collection, Switzerland, thence by descent. Private collection, since the late 1990s.

This Phoenician terracotta bulla, decorated with a dolphin, reflects the strong maritime identity of the Phoenician world. Bullae were typically used to seal documents or goods, serving both a practical and symbolic function in trade and administration. The dolphin, a creature closely associated with the sea, would have held particular meaning for the Phoenicians, whose culture and prosperity were deeply tied to seafaring and commerce across the Mediterranean. Often seen as a symbol of protection, guidance, and safe passage, the dolphin adds an additional layer of meaning to the object, suggesting not only its use in everyday transactions but also a connection to the wider beliefs and environment of the ancient coastal world.