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LOT 0072
Large Greek Apulian Platter with Eros
4TH CENTURY B.C.
16 1/8 in. (2.76 kg, 41 cm wide).
A broad ceramic patera with raised rim and stepped foot, two strap handles to the rim each flanked by two domed studs; rim with reserved wave pattern band, studs with starburst motif; painted central scene with outer foliate bands and reserved wave pattern framing the tondo displaying Eros in flight with wings spread, holding a red cloth over an inverted shield; some repainting.
ProvenanceFrench collection, 1990s-early 2000s.
Formerly in Patrick Declerck Auction, Douai, France, 2014, lot 72.
From an important Paris gallery, France.
Ex private Parisian collection.
Accompanied by an original thermoluminescence analysis report no.N122j42 from Oxford Authentication.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11616-196567.
Cf. Trendall, A.D. & Cambitoglou, A., The Red-Figured Vases of Apulia, vol.1, Oxford, 1978, p.354, no.171.
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LOT 0072
Large Greek Apulian Platter with Eros
Estimate £5,000 - 7,000€5,800 - 8,120 (for guidance only)$6,750 - 9,450 (for guidance only)
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Greek Heavy Bronze Bracelet with Central Bar
1st millennium B.C.Sold for (Inc. bp): £72
A penannular bronze bracelet with a facetted convex hoop, the arms tapering to an expanded bezel with raised vertical bar. 27.7 grams, 64 mm
Acquired 1990s. English private collection. Property of an Essex gentleman. -
Large Greek Apulian Red-Figure Bell-Krater
4th century B.C.Sold for (Inc. bp): £28,600
A red-figure terracotta bell-krater displaying polychrome figural panels between a laurel wreath and a band of Greek key motifs; side a) two robed male figures holding staffs, wearing a taenia or a band around the head, standing facing a central altar; side b) a woman wearing a chiton and holding a casket and olive sprig in her outstretched hands, advancing right towards a nude man standing right, his head turned towards her, holding a bucket and olive sprig, a cloak draped over his arm, elaborate volute palmettes beneath both handles; restored. 4 kg, 41 cm wide
Private collection, Neuchâtel, Switzerland. Ex collection H.& P. Payot, Clarens, by descent. Accompanied by an original thermoluminescence analysis report no.QED2237/SG-0201 from QED Laboratoire. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11580-199029.
Wide-mouthed bell kraters like this one were specifically designed for holding large quantities of liquid and to work as mixing bowls, as it was considered barbaric for wine to be drunk neat (a privilege only enjoyed by Dionysus and his entourage who could handle such a level of intoxication). Wine would be mixed with water, usually one part to three, or even more, as described by Homer regarding the wine offered to the giant Polyphemus (Odyssey, IX, 206-211). As such, kraters provided an ideal large surface area for decoration, and as wine was of utmost importance at the symposium, kraters would usually take centre place, and the decoration of such vessels were geared towards such gatherings attempting to provide subject matter for philosophical debate, like the ones described in Athenaeus’ Deipnosophistae. -
Boeotian Horse and Rider
Circa 6th century B.C.Sold for (Inc. bp): £910
A ceramic horse and rider figure of stylised form, the horse modelled in the round standing with head erect and facing forwards, cropped mane and tail held between hindlegs; the rider modelled holding the animal's neck, possibly wearing a helmet; painted detailing; old collector's label to stomach reading '0606/633 aaide, Beatie 6e BC'; leg repaired. 150 grams, 16.5 cm wide
Ex Nicolas Landau collection (1887-1979). with Sotheby's, Paris, 9th April 2013. lot 235 (part). UK private collection.
