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LOT 2268
Large Framed Book Plate with Egyptian Amulets
19TH CENTURY A.D.
27 3/4 x 21 in. (3 kg total, 70.6 x 53 cm including frame).
Large-format engraved plate illustrating amulets of various types (figures of Bes and Pataikos, multiple wedjat, Taweret with dorsal pillar, etc.), from the book series La Description de l'Egypte published after the French army's Egyptian campaign (1798-1801), Book A, Volume V, plate 88; mounted in a modern glazed frame. [No Reserve]
ProvenancePrivate collection, London, UK.
LiteraturePlate 88 from Vol.V of Description de l'Égypte : ou, Recueil des observations et des recherches qui ont été faites en Égypte pendant l'expédition de l'armée française entitled Collection d'Antiques.
FootnotesProduced between February 1802 and 1830 on the orders of Napoleon Bonaparte; published between 1809 and 1828. Just 1,000 copies were distributed to various institutions, printed on laid paper with an 'Égypte ancienne et moderne' watermark. The book is subtitled Recueil des observations et des recherches qui ont été faites en Égypte pendant l’expédition de l’Armée française, publié par les ordres de Sa Majesté l’Empereur Napoléon le Grand (Gathering of observations and discoveries which were made in Egypt during the expedition of the French army, published on the orders of His Majesty the Emperor Napoleon the Great). It was the world's first encyclopedia devoted exclusively to the remains of ancient Egypt.
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Large Carved Marble Statue of a Headless Maiden Holding a Dove
19th century A.D.Estimate: £800 - 1,000 (+bp*)
Opening Bid: £400
Her body depicted in a contrapposto pose with the weight on her right leg, resting her right hand on large plant leaves that surround her; a sheer garment wrapped around her body and plaited over her right shoulder; holding a dove against her chest with her left hand. 51.5 kg, 80 cm high
Private collection, London. -
Moche-Sican Style Gilded Ear Spools with Warriors
20th century A.D. or earlierSold for (Inc. bp): £85
Each with a gold surface and red-brown cinnabar colouration; the spools are discoid with raised bands and a capped and pierced central cylindrical neck to the reverse; the discs present almost identical scenes of a standing warrior wearing a headdress and holding a club and shield; in the style of the Lambayeque Valley, circa 200-500 A.D. 173 grams total, 10.7 cm each
Formerly acquired before 1950. From the collection of Mr Razeto, acquired in the 1950s-1960s. Ex private American collection, circa 1960s. Acquired from Gloria Lisset Reyes Garcia, Florida, USA. From the private collection of Mr Michael J. Vaupel, Miami, USA.
The age of the Moche people has been lauded as the 'Master Craftsman Period' by archaeologists. Alongside other developments and innovations, the Moche excelled at metalwork, such as this pair of earrings, which may have been worn by high-status men or women. The pair would likely have been deposited as grave goods. The Moche culture existed between 200 and 850 AD, before the advent of the Inca. Although they never formed a single centralised political entity, they built thriving cultural regional centres stretching from the Nepeña River Valley in the south to the Piura River, close to the modern border with Ecuador, developing coastal regions into fertile farmlands and exploiting the maritime resources of the Pacific Ocean's Humboldt Current. -
Russian Orthodox Enamelled Bronze Travel Icon with Saint Nicholas
19th century A.D.Sold for (Inc. bp): £252
Representing Saint Nicholas of Mira, with a Gospel in his left hand and making the gesture of blessing with his right, dressed as a bishop, with sticharion, covered by omophorion, and surmounted by an epitrachelion, all embroidered with crosses; the saint flanked by Jesus and Virgin Mary, Christ holding the Gospel, Mary the bishop’s epitrachelion; Cyrillic inscriptions 'Saint Nikolaos the Wonderworker (СВЯТЫЙ НИКОЛА ЧУДОТВОРЕЦ), Iesus Christos (ΙΣ ΧC) and Mother of God (ΜΡ ΘΥ)' on the enamelled background. 341 grams, 12.1 cm
Acquired from Chris Martin-Zakheim, Iconastas, 5 Piccadilly Arcade, London SW1. From the private collection of a West London, UK, gentleman, formed since the early 2000s.
The icon features meticulous craftsmanship typical of Orthodox iconography. The enamel colors, despite the passage of time, retain their vibrant intensity, highlighting the key elements of the depicted images. The refined details and use of enamel give depth and luminosity to the icon, making it a precious example of the Russian Orthodox tradition.
