Large Egyptian Stone Hieroglyphic Scarab with Cartouche of Amenhotep III

Turquoise-blue faience amulet of a vervet monkey standing with its long arms extended to the hips, supported on an integral base by its tail; suspension loop at the back. 1.52 grams, 27 mm



From a private collection acquired by the previous owner's father in the 1950s. Ex TimesAncient, Bristol, UK. Accompanied by a copy of a previous catalogue entry. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

Amulets featuring the vervet monkey were believed to serve as magical sexual aids for the living and the dead, ensuring these benefits in life and the afterlife.

A relief depicting the upper half of the Nile divinity facing right, sporting a slender beard with curved end, wearing a tripartite wig surmounted by a floral crown in the form of a clump of papyrus with bent buds, and an elaborate multi-strand beaded broad collar; the pendulous breast characteristic of this type of figure; with both upper arms angled right towards traces of a libation vase and possible stem of a lotus flower; traces of a vertical register line behind the figure’s head; mounted on a custom-made display stand. 10.85 kg total, 38.5 cm high including stand



From the estate of the late designer Anthony Powell (1935-2021). This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.12497-230640. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

Representations of fecundity figures can be traced from the Old Kingdom through to the Roman Period. These figures serve as divine embodiments of Egypt’s fertile productivity and are commonly depicted in series on the lower registers of temple walls, symbolising the fertility of each province. Historically, they have often been mistakenly referred to as the ‘Nile God’; however, the term Hapi, which sometimes identifies these figures, actually refers to the inundation rather than the River Nile itself, highlighting the source of Egypt’s fertility.

Fragment of a statue of an official, comprising the torso and legs clad in an ankle-length robe and seated on a rectangular-section seat with stepped base and short, curved backrest and rear dorsal pillar; the left hand carved with the hand palm-downwards placed flat along the thigh; the right hand similarly placed but with the hand gripping a folded piece of cloth of which the ends are draped over the lower thigh above the knee; traces of an old label to reverse. 4.1 kg, 18.7 cm



Private collection, Europe. with Bonham's & Brooks, 8th November 2001, no.265. Private collection, Europe. Accompanied by copies of the relevant Bonham's & Brooks catalogue pages. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12584-232097. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

The official would have been shown wearing a longer cloak-like garment rather than a waist-height kilt, as the line of the folded edge is visible above where a waistband would typically be.