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LOT 0024
Large Egyptian Faience Figure of Sekhmet
1ST MILLENNIUM B.C.
5 1/2 in. (79 grams, 14 cm).
Modelled in the round standing, holding an ankh in her right hand, the other holding a slender staff, lion-headed, wearing an ankle-length skirt; loop behind her neck.
ProvenanceAcquired in the late 1980s.
Private collection, thence by descent.
Private collection, since the late 1990s.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12852-241726.
This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Cf. Andrews, C., Amulets of Ancient Egypt, London, 1994, pl.8a.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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Egyptian Terracotta Cylindrical Jar
Early Dynastic Period, Naqada IIIC, circa 3100 B.C.Sold for (Inc. bp): £520
Band of imitation rope-twist decoration encircling the top of the jar, the mouth slightly flaring with a slightly damaged rolled lip. 950 grams, 22 cm
with Bonhams, London, 1 May 2008, no.432 [Part]. Accompanied by a copy of an Art Loss Register certificate no.S00035996. Accompanied by a copy of relevant Bonhams catalogue pages. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
These vessels often exhibit different surface treatments; the rim and area above the rope twist show marks where the vessel was rotated to produce the rim, and below, the rest of the jar has a scrape-smoothed surface. -
Egyptian Faience Eye of Horus Amulet
Late Period, 664-332 B.C.Sold for (Inc. bp): £520
Openwork wedjat eye amulet with black and white inlay to the eye, with a rearing cobra wearing a sun disc crown at the front. 2.28 grams, 23 mm
From an early 20th century collection. Ex London, UK, gallery. From a private UK collection This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
The wedjat-eye amulet (also called the Eye of Horus) became one of the most recognisable symbols in ancient Egyptian culture. It represents the idea of protection, healing, and restoration. In myth, Horus lost his eye during his battle with Seth, and it was later magically restored, symbolising healing and the restoration of wholeness. The Eye of Horus came to represent divine power and protection and was often used in amulets for safeguarding and well-being. -
Egyptian Granite Seated Figure
Late Period, 664-332 B.C.Estimate: £3,500 - 4,500 (‡+bp*)
Opening Bid: £1,889
Fragment of a statue of an official, comprising the torso and legs clad in an ankle-length robe and seated on a rectangular-section seat with stepped base and short, curved backrest and rear dorsal pillar; the left hand carved with the palm resting along the thigh; the right hand similarly placed but with the hand gripping a folded piece of cloth of which the ends are draped over the lower thigh above the knee; traces of an old label to reverse. 4.1 kg, 18.7 cm
Private collection, Europe. with Bonhams & Brooks, 8th November 2001, no.265. Private collection, Europe. Accompanied by copies of the relevant Bonhams & Brooks catalogue pages. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12584-232097. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
The official would have been shown wearing a longer cloak-like garment rather than a waist-height kilt, as the line of the folded edge is visible above where a waistband would typically be.