Large Egyptian Coptic Tunic Textile Fragment with Lateral Clavi and Central Orbiculus Representing Figures and Animals

Turquoise-glazed wedjat-eye, carved on one face; pierced longitudinally. 0.77 grams, 18 mm



Excavated from Egypt in 1914. From the private collection of Mr David Sams and his wife Elizabeth Kate Sams, gentry and amateur archaeologists who travelled to Egypt in 1914 with their daughter Ethel. Mr Sams and his wife led digging expeditions from which these items come, from the family estate of Mr and Mrs Sams, by direct descent to their granddaughter.

The wedjat-eye amulet depicts Horus’s healed eye, blending human and falcon features. Its ancient Egyptian name means ‘the one that is sound’. Myth says Seth wounded or took the eye, and Thoth later restored it. Believed to offer protection, healing, and regeneration, the popular amulet was worn by the living and the dead.

Proof etching on laid paper of plate 61 from Vol .I of Description de l'Égypte : ou, Recueil des observations et des recherches qui ont été faites en Égypte pendant l'expédition de l'armée française. entitled Le Kaire. Vue générale de la ville des tombeaux. 259 grams, 104 x 67 cm



From the collection of a North American priest. Acquired between 1981-1996. Property of a North American collector.

Produced between February 1802 and 1830 on the orders of Napoleon Bonaparte; published between 1809 and 1828. Just 1,000 copies were distributed to various institutions, printed on laid paper with an 'Égypte ancienne et moderne' watermark. The book is subtitled Recueil des observations et des recherches qui ont été faites en Égypte pendant l’expédition de l’Armée française, publié par les ordres de Sa Majesté l’Empereur Napoléon le Grand (Gathering of observations and discoveries which were made in Egypt during the expedition of the French army, published on the orders of His Majesty the Emperor Napoleon the Great). It was the world's first encyclopedia devoted exclusively to the remains of ancient Egypt. The plates of this book are the first to present the archaeological sites of Thebes (Luxor).

A solid cast statuette modelled in the round as a kneeling pharaoh wearing a thigh-length shendyt kilt, a broad collar and a nemes headdress adorned with a uraeus to the brow; with open hands positioned as though they once held an object, palms facing inward; mounted on a custom-made stand. 1.62 kg total, 16.7 cm high including stand



Private collection, E.M. (1880-1954), since the 1930s. Accompanied by an academic report by Egyptologist Paul Whelan. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.13196-249244.

The figure's overall appearance, particularly the muscular upper body, resembles two kneeling bronze figures – Brooklyn Museum 71.11 and Pennsylvania Museum E.13004 – both bearing the cartouche of 26th Dynasty pharaoh Necho II (610-595 BC). Unlike the varied poses of kneeling stone statues, those in bronze consistently rest on their knees and toes, with heels positioned under their buttocks. Figures with this hand gesture are often thought to have originally held an offering vessel or ritual object. However, none of the existing examples shows signs of having held an object. Instead, the gesture may symbolise both giving and receiving, representing veneration, offering, and a plea for protection to a particular deity.