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LOT 0054
Large Eastern Mediterranean Painted Terracotta Pitcher
1ST MILLENNIUM B.C.
8 7/8 in. (1.03 kg, 22.5 cm).
With a wide mouth, everted rim, and elongated, cylindrical neck, bulbous body with painted polychrome bands, a strap handle with painted linear decoration.
ProvenanceFrom a 1980s UK collection.
Acquired on the UK art market in the early 2000s.
Property of a London, UK, antiquarian.
Cf. Petrie, W.M.F., Brunton, G., Sedment II, London, 1924, pl. 276A, D, for a vessel of similar form bearing linear decoration, discovered in a late New Kingdom tomb at Sedment.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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LOT 0054
Large Eastern Mediterranean Painted Terracotta Pitcher
Estimate £400 - 600€460 - 700 (for guidance only)$540 - 810 (for guidance only)
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Greek Red-Figure Bell Krater Belonging to the Chevron Group
Apulia, 4th century B.C.Estimate: £1,500 - 2,000 (+bp*)
Bids: 2 | Current Bid: £1,000
With reserved herringbone band beneath the rim, wave pattern to be the baseline; Side A: young man with thyrsus and pendant streamer holding a phiale, a loose mantle draped from the elbows; Side B: head of a lady of fashion with white accents to her stephane and hair drawn up in a chignon, a volute and window before her. 1.11 kg, 23.2 cm wide
Acquired on the art market between the late 1990s and mid-2000s. Estate of the late Barry Paul Buxton (1944-2024), Oakham, Rutland. Acquired on the UK art market, 2025. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.13071-249285.
Bell kraters were commonly used in regions of ancient Italy for mixing and serving wine during communal gatherings, thanks to their wide shape and flared mouth. These vessels also served as artistic expressions, reflecting the cultural tastes of the time. The Chevron Group is the conventional name for a group of ancient Apulian red-figure vase painters who were active in Southern Italy between approximately 335-310 B.C. They are named for their distinctive use of a band of chevron patterns to encircle the rims of the small kraters (mixing vessels) they decorated. -
Large Greek Bronze Double-Headed Animal Terminal
Geometric, 8th-6th century B.C.Estimate: £1,200 - 1,700 (‡+bp*)
Opening Bid: £600
Comprising a crescentic body with a slender neck at each end, topped by a bird-head with a rectangular crest, vertical legs with raised block detailing conjoined at the lower end into a mounting peg. 55.6 grams, 86 mm
Ex collection Mr K.H., Germany. Private collection, acquired in 2012. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.13077-246757.
Bird figures, standing on plates or discs, are found as votives mainly in Northern Greek sanctuaries of the Geometric Age. They should be regarded as symbolic and sometimes modest gifts to the gods. Some birds were also designed as pendants. The present fitting resembles a rooster, but it could also represent a peacock, and hence is connected with the goddess Hera. -
Scythian Bronze Animal Mount Group
Circa 5th-3rd century B.C.Estimate: £150 - 200 (+bp*)
Opening Bid: £80
Comprising three mounts in the shape of an eagle with hooked beak, a wolf, and a leopard; each with D-shaped loop to the reverse. 7.1 grams total, 15-21 mm
Ex German art market, 2000s. Acquired from an EU collector living in London. From the collection of Surrey, UK, gentleman.
