Loading, please wait...
LOT 0054
Large Eastern Mediterranean Painted Terracotta Pitcher
1ST MILLENNIUM B.C.
8 7/8 in. (1.03 kg, 22.5 cm).
With a wide mouth, everted rim, and elongated, cylindrical neck, bulbous body with painted polychrome bands, a strap handle with painted linear decoration.
ProvenanceFrom a 1980s UK collection.
Acquired on the UK art market in the early 2000s.
Property of a London, UK, antiquarian.
Cf. Petrie, W.M.F., Brunton, G., Sedment II, London, 1924, pl. 276A, D, for a vessel of similar form bearing linear decoration, discovered in a late New Kingdom tomb at Sedment.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
TimeLine is a leading auction house specialising in antiquities, ancient art, collectables, natural history, coins, medals, and books. Our auctions offer museums, collectors, historians, and enthusiasts the opportunity to acquire unique and historically significant pieces.
LOT 0054
Large Eastern Mediterranean Painted Terracotta Pitcher
Sold for (Inc. bp): £1,105
-
Greek Bronze Horse Head Mount
Circa 4th-3rd century B.C.Sold for (Inc. bp): £208
Modelled in the round with large almond-shaped eyes and pricked ears. 34.8 grams, 38 mm
Ex German art market, 2000s. Acquired from an EU collector living in London. From the collection of a Surrey, UK, gentleman. -
Greek Black Ware Footed Cup with Concentric Circles
South Italian, circa 4th century B.C.Sold for (Inc. bp): £286
With broad bowl and rounded rim, flared foot; old collector's label to the underside 'Z17.91'. 147 grams, 10.4 cm wide
From the collection of the late Bernard C. Pickard, Hampshire, UK, the owner of Bernard C. Pickard Antiquities, which closed in 1987, he had been collecting since the mid 1950s.
Bernard Pickard was a close friend of Richard Hattatt, the renowned author of several books on ancient brooches. Hattatt acknowledges in his first book, Ancient & Romano-British Brooches, published in 1982, that Mr Pickard first aroused his interest in brooches and inspired him in writing his books during his retirement. Mr Pickard also wrote the foreword to the section on Roman animal brooches, op. cit. p.158-160. -
.jpg)
Etruscan Bronze Statue of a Satyr
Circa 6th century B.C.Sold for (Inc. bp): £6,500
Modelled in the round in energetic pose with left hand resting on the hip and right arm raised, head tilted slightly upwards, tail curled gracefully over the rump; on a square base with papyrus stalk detailing; on a later gilt-metal stand mounted on a polished stone cube. 679 grams total, 20.4 cm including stand
Iris Cornelia Love (1933–2020), New York, collection primarily formed in the 1950s-1970s. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13335-258241.
Many of the scenes show satyrs in Etruscan art transgressing the limits of accepted behaviour. As symbol of inversion of order, the satyr reflects the rules of the life and culture of the Etruscans and their values. Satyrs in comic, surprising situations indicate the Etruscans' sense of humour. They got their inspiration from Greek art when illustrating myths and narratives, often with a light-hearted approach of their own. The Etruscans were known to be devoted to religious rites and satyrs appear in such scenes too. Satyrs, connected with the Dionysian cortege, appear also on vases in sacrifice scenes and it is suggested here that satyrs dancing and gambolling around a wine vessel are performing a cultic dance in honour of Dionysos.
