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LOT 0362
Large Diptych of the Mother of God as Hodegetria
EARLY 16TH CENTURY A.D.
19 1/4 x 21 7/8 in. (3.6 kg, 49 x 55.5 cm (opened)).
Tempera on two wooden panels executed on a green ground; the upper part of the left panel showing the nimbate Theotokos (Mother of God) with veiled head and mantle, pointing the infant Jesus supported by her left hand, wearing a red-gold maphorion mantle over a dark blue robe with gold cuffs; the infant facing away to left, dressed in blue tunic, wrapped in a red orange shawl, right hand extended towards his mother in a blessing gesture; beside Mary inscriptions in red Greek letters 'ΜΡ' and 'ΘΥ' (Μήτηρ (τοῦ) Θεοῦ = Mother of God), and beside the child the Greek letters 'ΙϹ ΧϹ' (ΙΗϹΟΥϹ ΧΡΙϹΤΟϹ = Jesus Christ); in the lower part of the panel, God emerging as a half-bust from the sky, blessing the three theologians, Saint Basil of Caesarea, Saint John Chrysostom and Saint Gregory the Theologian, all dressed in ecclesiastic high garments, their names written in Greek beside their heads; the upper part of the right panel showing Christ Pantokrator, Lord of the Universe, the right hand in blessing gesture, the left hand holding a Gospel decorated with precious stones, wearing a blue chlamys and red sticharion embroidered with a gold clavus; in the lower part Saints Onuphrius, Saint Nicholas of Myra and Antony the Great of the Desert, the first naked and covered only by a leaf, the second in bishopric garments and the third in monastic garments, their names written in Greek beside their heads; all the haloes are in gold, the ones of Christ marked by a red cross.
ProvenanceAcquired on the European art market.
Private collection, London, UK.
Accompanied by an academic report by Dr Raffaele D'Amato.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12794-240887.
This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Cf. as a prototype for the icons of the Hodegetria and the Pantokrator united in a diptych, see the icon of Korsunskaya Hodegetria, in Kremlin Museum, Byzantium, 13th century A.D.
FootnotesThe diptych is a synthesis of Orthodox belief: from one point of view, it shows the human nature of God, born from the Virgin; from the other the divine nature of Jesus Christ as the supreme Lord of the Universe. The icon skilfully depicts the subjects, with Mary pointing towards the infant Jesus, the faces rendered with dramatically emphasised features and dark tones.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
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LOT 0362
Large Diptych of the Mother of God as Hodegetria
Estimate £8,000 - 10,000€9,280 - 11,600 (for guidance only)$10,800 - 13,500 (for guidance only)
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Bronze Grand Tour Statue of Augustus of Prima Porta
Italy, circa 1870 A.D.Sold for (Inc. bp): £1,300
Replica of marble statue of Augustus discovered in 1863 in Prima Porta, depicted in advancing pose wearing a military cuirass with mythological scenes, toga draped from the waist over the left arm, barefoot with statuette of Cupid seated on a dolphin beside his right leg; mounted on a custom-made tiered stand. 6.45 kg total, 40.8 cm high including stand
From the private collection of a S.W. London gentleman, acquired in the 1970s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
An elegant 19th century detailed replica of the marble statue of Augustus discovered in 1863 during archaeological excavations at the Villa Livia owned by Augustus's wife, Livia Drusilla, at Prima Porta on the Via Flaminia, 12km north of Rome. The original full-length statue portrays an idealised image of Augustus in the role of imperator, commander of military forces, in contrapposto stance derived from Greek athletic statues of the 5th century BC. This statue represents Augustus in the act of adlocutio, addressing his troops, also seen on the reverse of the dupondii of Germanicus (RIC Gaius 57). Augustus is represented as a great general, a powerful orator, eternally youthful, with the body of a Greek athlete, with a support statuette of Cupid seated on a dolphin alluding to his divine ancestry from Venus through his formal adoption by Julius Caesar. The main element of the statue is the highly decorated cuirass with sphinx-decorated shoulder straps and paludamentum covered with figures arranged in three sections: Caelus, or sky-god at the apex; below him the sun-god Sol in his four-horse chariot and Aurora riding on the back of a female celestial personification; central section with figures of Hispania on the extreme left and another captive female, possibly Gallia, to the right; beneath, Apollo with lyre riding on a winged griffin and Diana on the back of a stag, with Tellus (Mother Earth) cradling two babies below, all framing the most important figures of the cuirass: on the right a Parthian military warrior (identified as Phraates IV) holding a Roman standard towards a helmeted and cuirassed Roman soldier accompanied by a she-wolf or dog (identified as Augustus-Aeneas, Tiberius, Mars or the personification of exercitus Romanus, the Roman army, an allusion to the return of the Roman standards in 20 BC, captured by the Parthians from the Roman general Marcus Licinius Crassus after his ignominious defeat at Carrhae in 53 BC. The statue thus commemorates Augustus’s victory over Parthia. Augustus made much of this, the first significant victory after Actium in 31 BC. Historical sources state that Phraates IV restored the standards to Augustus in 20 BC, although Suetonius reports that it was Tiberius who served as the intermediary for the transfer (Tiberius 9.1). -
Women's Rights Vintage Pin Badge Collection
Circa 1980s A.D.Sold for (Inc. bp): £7
Including 'A Woman's Right to Choose' and other types. 20 grams total, 25-56 mm
From the private collection of a S.W. London gentleman, acquired in the 1970s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato. -
Ottoman Bronze Pipe Bowl Group
17th-18th century A.D.Sold for (Inc. bp): £39
Each a bell-shaped bowl with angled tubular stem, lateral pierced attachment lug. 43.7 grams total, 30-37 mm
Acquired on the London art market in the late 1980s-1990s. From the family collection of an East London, UK, gentleman. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
