Large Bactrian Flat Turquoise Bead

Creamy-white annular panel, domed in section, cut from a shell plate. 36.7 grams, 89 mm



Ex Abelita family collection, 1980s-2000s.

A bulla with oval stamped impression of two animals. 147 grams, 60 mm



Specialised collection of cuneiform texts, the property of a London gentleman and housed in London before 1988. Thence by descent to family members. Examined by Professor Wilfrid George Lambert FBA (1926-2011), historian, archaeologist, and specialist in Assyriology and Near Eastern archaeology, in the late 1980s and early 1990s. The collection is exceptional for the variety of types, including some very rare and well preserved examples. Accompanied by a copy of a previous catalogue page.

Small globular and hollowed clay balls are defined as 'bulla'. They are also known as ‘bulla-envelopes', some of which are plain and some displaying epigraphic, zoomorphic and/or figural decoration, impressed by either cylinder or stamp seals. Bulla first emerged in Mesopotamia and their earliest occurrence can be traced to circa 8000 B.C. Most know decorated bullae come from the Uruk area and offer an insight into its culture. This bulla represents a religious scene, indicated by the combination of the pyramid-shaped byre and the 'sacred herd', which are seen on the early Uruk seals. The symbol of the Mother-Goddess, presented in conjunction with the representations of sheep herd and byre, gave such imagery symbolic significance. The impression with two sheep depicted under the byre, might have been impressed by a stamp seal of the early Uruk period.

With standing figures and animals, accompanied by a copy of an old scholarly note, typed and signed by W.G. Lambert, late Professor of Assyriology, University of Birmingham, 1970-1993, which states: 'Cylinder Seal of Hematite, 21.5 x 11 mm. The design is made up of two parts. The main scene shows two facing deities. On the left stand the Storm God, Hadad or Teshup, wearing a short kilt and a spiked helmet. A long plait of hair falls down his back. In his raised right hand he holds a mace, in the left a long spear and a bow(?). On the right stands a goddess, nude, having thrown back her cloke, and standing above a bull. This goddess is either Anat or Ashtart, goddess or fertility. There are four fillers in the main scene, two discs, a human hand and an unidentified item. The minor scene consists of a row of three walking humans, the first with one hand raised, below two facing birds. The whole engraing is set between lines, one above one below. This seal in Syrian, c. 1800-1700 B.C. and is a typical example of the interest which the Syrian engravers put into their seals. It is somewhat worn, but the whole of the design is clear, having been cut deeply in the original stone.'; accompanied by a museum quality impression and pair of red stone beads. 6.58 grams, 21 mm



Anonymous French sale. Private collection, London, UK. Accompanied by a copy of an old scholarly note, typed and signed by W.G. Lambert, late Professor of Assyriology, University of Birmingham, 1970-1993.