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LOT 0423
Large Agate Gemstone with the Marriage of the Virgin
ITALY, LATE 17TH CENTURY A.D.
2 1/8 in. (19.61 grams, 54 mm).
Plaque with narrow border enclosing a figural scene with a colonnade and façade flanked by olive trees; central arch with two nimbate and robed figures clasping hands with a third figure behind them wearing a headdress; set in a gold frame with suspension loop; supplied with a museum-quality impression.
ProvenancePrivate collection, Europe.
Acquired on the French art market.
The subject is the marriage ceremony between Mary, 'the Virgin', and Joseph.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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Post Medieval Figural Coquilla Pipe
French Colonies, 19th century A.D.Sold for (Inc. bp): £845
Bowl formed as a jester head with prominent hooked nose and insert glass eyes, smoking a cigar, wearing a crown and prominent necklace, removable cylindrical cap to the top of the head; ascending stem with ribbed bottom and everted flat rim at the back. 177 grams, 15.5 cm
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Russian Orthodox Enamelled Bronze Travel Icon with the Old Testament Trinity
19th century A.D.Sold for (Inc. bp): £117
Depicting the Holy Trinity, represented by three winged figures, each with a three-prong staff, sitting on stools around a table with three cups, trees and the outline of a cathedral behind. 67.5 grams, 62 mm
Acquired from Chris Martin-Zakheim, Iconastas, 5 Piccadilly Arcade, London SW1. From the private collection of a West London, UK, gentleman, formed since the early 2000s.
The subject is based on the traditional Russian interpretation of Genesis,18, in which three figures appear to Abraham at the oak tree of Mamre. The central figure is usually identified as Jesus Christ, while God the Father is on the right and the Holy Spirit on the left. The subject of the icon originated from a very famous 15th century painting by Andrei Rublev.
