Italic Terracotta Cup

Formed of twisted rods, each square in section, tapering towards the hammered finials, each with an onion-knop terminal. 157 grams, 15 cm



with Christie's, New York, 5 June 1998, no.209. Private collection, Europe. Accompanied by an academic report by Dr Raffaele D'Amato. Accompanied by copies of the relevant Christie's catalogue pages. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12381-226710.

Including a two-headed dog, a crouching female and a kneeling figure with vertical piercing; each mounted on a ceramic base. 480 grams total, 52-91 mm including stand



From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent.

With stepped foot and two loop handles to the rim, egg-and-dart border; Side A: female in loosely draped chiton holding a dish in her raised left hand and advancing towards an altar, looking to her rear and with her right arm extended; Side B: nude male in similar pose to the female, with mantle draped over his left elbow, gripping a thyrsus, the head wrapped in a band or taenia; volute scroll beneath each handle. 1.74 kg, 34 cm wide



Acquired in the mid 1980s-1990s. Private collection, Switzerland, thence by descent. Private collection, since the late 1990s. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12364-226707.

The thyrsus in the hand of the male figure implies that he is a worshipper of Dionysus, and this impression is strengthened by the casual discarding of his clothing which is draped over his arm. The female may then be interpreted as a Maenad, a member of the group of devotees who accompanied the god and led the celebrations in his worship. A combination of protracted and vigorous dancing combined with wine-drinking led to an ecstatic frenzy in which the god was honoured.