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_900x900.jpg "Italic Carnelian Scarab with Satyr Mounted in a Gold Swivel Ring")
_200x200.jpg "Italic Carnelian Scarab with Satyr Mounted in a Gold Swivel Ring")
.jpg "Italic Carnelian Scarab with Satyr Mounted in a Gold Swivel Ring")
LOT 0099
Italic Carnelian Scarab with Satyr Mounted in a Gold Swivel Ring
4TH-3RD CENTURY B.C.
1 in. (5.30 grams, 23.85 mm overall, 14.56 x 17.70 mm internal diameter (approximate size British J 1/2, USA 5, Europe 9.32, Japan 9)).
Carved scarab with detailed carapace, legs and mouth; underside with intaglio standing figure holding an amphora; set into a later gold swivel ring.
ProvenancePrivate collection, Europe.
Acquired on the English art market.
Cf. Chadour, A.B., Rings. The Alice and Louis Koch Collection, volume I, Leeds, 1994, items 40, 44, 45, for type.
FootnotesIt is clear that the sculptor devoted more care and attention to carving the scarab itself rather than its intaglio.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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LOT 0099
Italic Carnelian Scarab with Satyr Mounted in a Gold Swivel Ring
Sold for (Inc. bp): £1,404
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Large Greek Bronze Double-Headed Animal Terminal
Geometric, 8th-6th century B.C.Estimate: £1,500 - 2,000 (‡+bp*)
Opening Bid: £750
Comprising a crescent body with a slender neck at each end, topped by a bird-head with a rectangular crest, vertical legs with raised block detailing conjoined at the lower end into a mounting peg. 55.6 grams, 86 mm
Ex collection Mr K.H., Germany. Private collection, acquired in 2012. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.13077-246757.
Bird figures, standing on plates or discs, are found as votives mainly in Northern Greek sanctuaries of the Geometric Age. They should be regarded as symbolic and sometimes modest gifts to the gods. Some birds were also designed as pendants. The present fitting evokes the rooster, but a possible representation of a peacock and its connection with Hera is not to be excluded. -
Greek Red-Figure Owl Skyphos
Attic, 4th century B.C.Sold for (Inc. bp): £1,235
Mammiform body with flared pedestal base and two loop handles to the rim; each side with a facing image of an owl between laurel fronds; concentric circles to the base, Attic workmanship. 115 grams, 15.2 cm wide
Acquired on the art market between the late 1990s and mid-2000s. Estate of the late Barry Paul Buxton (1944–2024), Oakham, Rutland. Acquired on the UK art market, 2025. -
Greek Red-Figure Bell Krater Belonging to the Chevron Group
Apulian, 4th century B.C.Estimate: £2,500 - 3,500 (+bp*)
Opening Bid: £1,389
With reserved herringbone band beneath the rim, wave pattern to be the baseline; Side A: young man with thyrsus and pendant streamer holding a phiale, a loose mantle draped from the elbows; Side B: head of a lady of fashion with white accents to her stephane and hair drawn up in a chignon, a volute and window before her. 1.11 kg, 23.2 cm wide
Acquired on the art market between the late 1990s and mid-2000s. Estate of the late Barry Paul Buxton (1944-2024), Oakham, Rutland. Acquired on the UK art market, 2025. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.13071-249285.
Bell kraters were commonly used in regions of ancient Italy for mixing and serving wine during communal gatherings, thanks to their wide shape and flared mouth. These vessels also served as artistic expressions, reflecting the cultural tastes of the time. The Chevron Group is the conventional name for a group of ancient Apulian red-figure vase painters who were active in Southern Italy between approximately 335-310 B.C. They are named for their distinctive use of a band of chevron patterns to encircle the rims of the small kraters (mixing vessels) they decorated.
