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LOT 0324
Italian Virgin of Tenderness Icon
CIRCA 19TH CENTURY A.D.
11 5/8 in. (279 grams, 29.5 cm high).
A painting on wood of the Virgin of Tenderness, copying an earlier work, depicting Mary dressed in blue robe ornamented with gold stars with an off-white veil delicately framing her face; gently supporting the Child dressed in red tunic; both figures nimbate and affectionately leaning towards each other with their cheeks touching; the scene enclosed in a gilt pseudo-Gothic crenelated frame, an inscription in new Gothic uncial style to the bottom reading 'AVE GRATIA PLENA' for 'hail full of grace'; mounted on a 19th century crenelated wooden pedestal fitted with candle holder to each side in the shape of a flower.
ProvenanceProperty of a London lady, part of her family's collection.
LiteratureCf. the Virgin with the Child of Sano di Pietro, in the Metropolitan Museum of Art, accession number 1975.1.51, for similar painting; cf. also Mazzoni, G., Falsi d'autore. Icilio Federico Joni e la cultura del falso tra Otto e Novecento, Siena, 2004, p.162, no.43.
FootnotesThe panel has many stylistic similarities with that of Icilio Federico Joni (1866-1946) assigned to the style of Sano di Pietro. Compared to that, the head of the Virgin has been realised in a more archaic Gothic style. With their faces gently pressed together, the interaction between the Virgin and the Child evokes a tender intimacy. This motif appears in numerous works by Sano di Pietro and his workshop (for example, in another painting in the Lehman Collection in MET, 975.1.39). The particular manner of concealing the Child’s right cheek behind the Virgin’s face was probably inspired by Madonna painted by the Sienese master Ambrogio Lorenzetti (Pinacoteca Nazionale, Siena).
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LOT 0324
Italian Virgin of Tenderness Icon
Estimate £700 - 900€810 - 1,040 (for guidance only)$950 - 1,220 (for guidance only)
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Northern Italian Gilt Wooden Casket
18th-19th century A.D.Estimate: £4,000 - 6,000 (+bp*)
Opening Bid: £2,000
An architectural gilt wooden casket with hinged lid; the exterior with billeting, egg-and-dart ornament and gadrooning, flowering vegetal schemes over the whole; the two principal faces each with a central heater shield painted with heraldic devices, flanked by robed standing figures holding a book each within a niche and with a palmette motif above; remains of polychrome to the shields and elsewhere. 69.5 x 44.5 cm
English private collection. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11679-199810
The arms are quartered: or an eagle sable; sable a demi-lion rampant or issuant from a fess; sable a mullet of eight points or; or a lion's head erased sable; the repetition of the colours 'or' gold and 'sable' black may be due to the overall colour-scheme of the casket. The timber shows some old insect flight holes and we are advised that this piece has been recently treated with Permethrin, as a precaution. -
Post Medieval Gold 'A Friends Gift' Posy Ring
Circa 18th century A.D.Sold for (Inc. bp): £312
A gold posy ring with D-section band inscribed internally 'A friends gift' in lower case with initials 'I M' added after; with 'crown over T H' maker's punch. 1.94 grams, 15.23 mm overall, 12.85 mm internal diameter
Acquired on the UK antiques market between 1974-1985. Albert Ward collection, Essex, UK. -
Post Medieval Wooden Box with Bone Inlays and Key
Late 19th-early 20th century A.D.Estimate: £300 - 400 (+bp*)
Opening Bid: £150
A lockable hinged wooden traveller's box decorated with bone-inlaid floral vines to the top of the lid and all four side faces; India 4.38 kg, 46 x 31.5 cm
English private collection.
