Loading, please wait...
LOT 0324
Italian Virgin of Tenderness Icon
CIRCA 19TH CENTURY A.D.
11 5/8 in. (279 grams, 29.5 cm high).
A painting on wood of the Virgin of Tenderness, copying an earlier work, depicting Mary dressed in blue robe ornamented with gold stars with an off-white veil delicately framing her face; gently supporting the Child dressed in red tunic; both figures nimbate and affectionately leaning towards each other with their cheeks touching; the scene enclosed in a gilt pseudo-Gothic crenelated frame, an inscription in new Gothic uncial style to the bottom reading 'AVE GRATIA PLENA' for 'hail full of grace'; mounted on a 19th century crenelated wooden pedestal fitted with candle holder to each side in the shape of a flower.
ProvenanceProperty of a London lady, part of her family's collection.
LiteratureCf. the Virgin with the Child of Sano di Pietro, in the Metropolitan Museum of Art, accession number 1975.1.51, for similar painting; cf. also Mazzoni, G., Falsi d'autore. Icilio Federico Joni e la cultura del falso tra Otto e Novecento, Siena, 2004, p.162, no.43.
FootnotesThe panel has many stylistic similarities with that of Icilio Federico Joni (1866-1946) assigned to the style of Sano di Pietro. Compared to that, the head of the Virgin has been realised in a more archaic Gothic style. With their faces gently pressed together, the interaction between the Virgin and the Child evokes a tender intimacy. This motif appears in numerous works by Sano di Pietro and his workshop (for example, in another painting in the Lehman Collection in MET, 975.1.39). The particular manner of concealing the Child’s right cheek behind the Virgin’s face was probably inspired by Madonna painted by the Sienese master Ambrogio Lorenzetti (Pinacoteca Nazionale, Siena).
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
TimeLine is a leading auction house specialising in antiquities, ancient art, collectables, natural history, coins, medals, and books. Our auctions offer museums, collectors, historians, and enthusiasts the opportunity to acquire unique and historically significant pieces.
LOT 0324
Italian Virgin of Tenderness Icon
Estimate £700 - 900€810 - 1,040 (for guidance only)$950 - 1,220 (for guidance only)
-
Post Medieval Ring with Crown
Circa 18th century A.D.Sold for (Inc. bp): £91
A copper-alloy ring with expanding arms, central crown in relief within a square border, scalloping around, channels to the shoulders. 3.91 grams, 19.93 mm overall, 16.66 mm internal diameter (approximate size British L 1/2, USA 6, Europe 11.87, Japan 11)
Acquired in the late 1990s-2000. Property of an East London gentleman. -
Large Russian Anastasis Icon with Twelve Feasts
18th century A.D.Estimate: £500 - 700 (+bp*)
Opening Bid: £225
A tempera on wood Anastasis icon with a large central panel surrounded by twelve smaller scenes representing the twelve feasts of the Orthodox church; the central image depicting Christ‘s descent into Hell and Resurrection, the smaller scenes depicting, clockwise from top left: the birth of the Virgin Mary; the presentation of the Virgin Mary to the temple; the Annunciation; the Nativity; the presentation of Christ to the temple; the Epifania (Baptism); the entrance to Jerusalem; the Metamorphosis (Transfiguration); the Exaltation of the Holy Cross; the Ascension; the Holy Trinity (the Pentecost); and the Dormition of the Virgin; inscriptions to the outer border; some restoration. 3.1 kg, 44.5 x 37 cm
Property of a London lady, part of her family's collection.
The Greek term Dodekaorton (Δωδεκαόρθον) designates the twelve most important holidays of the Orthodox Christian liturgical year. They are divided into fixed date holidays and variable date holidays (calculated in relation to Easter). A second division is between the feasts dedicated to Mary and those dedicated to Christ. Each holiday is represented by an image (icon) encoded according to the interpretation of the Holy Scriptures. On the day of the celebration, the corresponding icon is placed on a lectern in the center of the church. -
Ancient Style Object Group
20th century A.D.Sold for (Inc. bp): £20
A mixed group of archaistic items including a figure of Bastet, a nude female lying supine, a lapis lazuli stamp seal and other items. 199 grams total, 7-52 mm
Acquired 1990s. Ex French collection.
