Islamic Marble Sundial Made By Sheikh Abol Hassan Mansor Saif

A bifacial, lentoid-section rectangular clay tablet with rounded corners and short sides, medial horizontal line to each face, with hand-drawn pictographs above and below, a count of sheep and caprids. 42 grams, 66 mm wide



Specialised collection of cuneiform texts, the property of a London gentleman and housed in London before 1992. Thence by descent to family members. Examined by Professor Wilfrid George Lambert FBA (1926-2011), historian, archaeologist, and specialist in Assyriology and Near Eastern archaeology, in the late 1980s and early 1990s. The collection is exceptional for the variety of types, including some very rare and well preserved examples. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11637-198551.

Early writing was used primarily as a means of recording economic data; this tablet likely records deliveries and distributions of grain. At the end of the 4th millennium B.C., written language developed in Mesopotamia as pictographs, later evolving into abstract forms called cuneiform. Pictographs were drawn in the clay with a pointed implement. Circular impressions alongside the pictographs represented numerical symbols. Cuneiform (meaning wedge-shaped) script was written by pressing a reed pen or stylus with a wedge-shaped tip into a clay tablet.

A bronze calotte-shaped cauldron or basin with collared rectangular handles featuring scalloped grips along the upper edges, a pair of stylised bird of prey protomes beneath each, talons drawn up to their chests, bulging eyes, prominent hooked beaks, wings spread and fan-shaped tails. 679 grams, 23.5 cm wide



Ex Maurice Braham, 1970s. London collection, 1990s. Accompanied by previous typed and illustrated catalogue pages. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11640-199105.

A rare object. The limited number of parallels feature birds of a more schematic style. Only four published parallel cauldrons with bird protomes are known to exist. Given the quality of the ornament, such basis may have been used by members of the elite in Iron Age Iranian society, although their exact functions remains unclear. One 'orientalised' Etruscan bronze cauldron was found used as a cremation vessel, placed in a tumulus and associated with a localised 'heroic' burial context. Other feasible uses include high status drinking vessels or symbols of rank.

A gold pendant composed of a tubular body wrapped around a banded agate or other stone tubular bead, three projections below with conical tops, granulated lozenge to one face enclosing a central dome; ribbed suspension loop. 2.22 grams, 15 mm



Acquired 1980-2015. Ex Abelita family collection.