Loading, please wait...
Details
LOT 1997
Indus Valley Style Terracotta Vessel Group
20TH CENTURY A.D.
3 1/8 - 4 7/8 in. (983 grams, 80-125 mm wide).
Mixed group of jars and a cup with painted details. [5, No Reserve]
Provenance
From the private collection of John Meredith, acquired since the 1990s; thence by descent.
CONDITIONVETTING:
TimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
TimeLine is a leading auction house specialising in antiquities, ancient art, collectables, natural history, coins, medals, and books. Our auctions offer museums, collectors, historians, and enthusiasts the opportunity to acquire unique and historically significant pieces.
RELATED LOTS
-
Post Medieval Gold Tie Pin of Aquarius
19th century A.D.Estimate: £300 - 400 (+bp*)
Opening Bid: £150
Modelled in the round female figure holding an inverted amphora with liquid flowing forth; mounted on a sturdy gold pin. 2.97 grams, 45 mm
Private collection, Europe. Acquired on the English art market. -
Indus Valley Style Terracotta Fertility Idol Group
20th century A.D.Sold for (Inc. bp): £13
Comprising two stylised female figures in seated pose and a third standing wearing a headdress. 291 grams total, 8-15.3 cm
Private collection, UK. -
Post Medieval Gilt Enamelled Mirror Case Depicting the Roman God Mercury
Limoges, early 17th century A.D.Sold for (Inc. bp): £4,160
Oval in plan with a vivid polychrome enamel scene on a black ground to the upper face of the lid, within a gilt-copper frame: Mercury, identifiable by his winged helmet and caduceus, standing beneath a classical arch flanked by stylised columns and vases of flowers; above the entablature, a canopy held aloft by two snails, with twin ewers crowning the upper corners and issuing stylised streams; the architectural and ornamental elements highlighted with translucent and opaque enamel, highlighted with gilding and intricate punchwork; the frame with a guilloche border, surmounted by a pierced rocaille loop with a scallop motif, and terminating below in a turned pendant finial; the sides of the frame engraved with a delicate foliate frieze, the reverse flat-chased with three vases of stylised flowers issuing from scrolled supports, framed above by draped swags, butterflies, and a winged cherubic mask; the case hinges open at the top, the interior, originally fitted with mirrored glass, now partially oxidised but retaining areas of reflection. 168 grams, 14.4 cm
Private collection, France. Private collection, UK. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12998-246011.
The enamel composition is directly derived from a print by Étienne Delaune (1518/19-1583), from his series Grotesques à Fond Noir, Dieux et Déesses, created in France c.1550-1572, before he departed for Strasbourg. Delaune’s engravings were a principal source for Limoges enamellers of the late 16th and early 17th centuries, particularly in the production of oval mirror plaques for personal toilette or cabinet display.