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LOT 2185
Indian Stone Pendant with Glass and Ruby Inlays
20TH CENTURY A.D.
31 1/2 in. (52 grams, 80 cm long).
Lozenge-shaped pale glass pendant in the Mughal style, with openwork arms in the form of flowers, moulded central glass plaque with floral display in relief, leaves and flower heads represented as pink rubies and green glass inlays; large flower head carved to pendant reverse; multi-stranded red cord chain. [No Reserve]
ProvenanceLondon collection since the 1980s.
Property of a Canadian family.
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AUCTIONS:
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Indian Amethyst Perfume Bottle
Late 20th century A.D.Sold for (Inc. bp): £104
Polished and carved with a rounded triangular cross-section, displaying a frieze of stylised foliate forms, with a quatrelobed flower head to the domed lid. 76 grams, 57 mm
London collection since the 1980s. Property of a Canadian family. -
South Indian Bronze Tribal Figures
18th century A.D. or laterEstimate: £700 - 900 (+bp*)
Opening Bid: £315
A male and female pair modelled standing facing, wearing jewel-studded arm bangles, earrings, pendants and skin-tight trousers, the man holding a sword and small round shield, the woman breastfeeding an infant; each mounted on a custom-made display base. 1.55 kg total, 27-27.5 cm high including stand
Acquired in the 1960s. Ex Italian collection. Ex London gallery stock. -
Mughal Stone Openwork Arch with Birds
15th-16th century A.D.Estimate: £1,200 - 1,700 (+bp*)
Opening Bid: £533
Carved in limestone with a D-shaped frame enclosing openwork panel with fronds of leaves and flowers and a pair of addorsed doves and a median rosette; mounted on a custom-made stand; from north India region. 20 kg total, 74.5 cm wide including stand
with a London, UK gallery 1971-early 2000s. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.202355.
The motif of two birds flanking a plant on which they stand is well-known from Late Antique and Byzantine art, although the central stem is usually a cross or christogram in such cases e.g. on the left side of the sarcophagus of St. Savino, Fusignano, Italy. Islamic art generally does not favour the inclusion of naturalistic representations of living beings.
