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_200x200.jpg "India Framed Watercolour Painting")
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LOT 2180
India Framed Watercolour Painting
EARLY 20TH CENTURY A.D.
13 x 10 1/4 in. (714 grams, 33 x 26 cm).
With watercolour scene of a man and woman seated against cushions in a courtyard, river meandering through hilly landscape beyond, panels of text above and below, green border around the whole; set in a glazed wooden frame.
ProvenanceAcquired on the UK art market, 1980s-1990s.
The Woodbridge collection of Indo-Persian art.
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AUCTIONS:
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LOT 2180
India Framed Watercolour Painting
Estimate £60 - 80€70 - 93 (for guidance only)$81 - 108 (for guidance only)
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Indus Valley Etched Orange Carnelian Bead Necklace String
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Composed of restrung graduated and polished beads, each etched with a white geometric design on both faces. 15 grams, 50 cm long
UK gallery, early 2000s. -
Majapahit Terracotta Group
13th-14th century A.D.Sold for (Inc. bp): £91
Comprising a decorated pot, four heads and a seated figure (head absent). 340 grams total, 31-63 mm
From Majapahit Empire, region of Trowulan, Eastern Java, Indonesia, From the Amanda Barrie collection. Property of a Lincolnshire, UK, gentleman. -
Mughal Stone Openwork Arch with Birds
15th-16th century A.D.Estimate: £1,200 - 1,700 (+bp*)
Opening Bid: £533
Carved in limestone with a D-shaped frame enclosing openwork panel with fronds of leaves and flowers and a pair of addorsed doves and a median rosette; mounted on a custom-made stand; from north India region. 20 kg total, 74.5 cm wide including stand
with a London, UK gallery 1971-early 2000s. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.202355.
The motif of two birds flanking a plant on which they stand is well-known from Late Antique and Byzantine art, although the central stem is usually a cross or christogram in such cases e.g. on the left side of the sarcophagus of St. Savino, Fusignano, Italy. Islamic art generally does not favour the inclusion of naturalistic representations of living beings.
