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LOT 0626
Iberian Bronze Statuette
4TH-2ND CENTURY B.C.
4 in. (77.8 grams total, 10 cm including stand).
Standing with arms held straight at the sides, short hair with neck-ring to rear, short-sleeved tunic with pleats to centre-front and rear, wide belt; perhaps a monumental fitting; gas permeation to rear right leg; mounted on a custom-made stand.
ProvenancePrivate collection, Paris, France, assembled in the 1950s-1960s.
with Tessier-Sarrou & Associés, Paris, 2015.
European private collection.
Accompanied by a copy of an Art Loss Register certificate, no.S00107108.
Accompanied by a copy of French cultural export passport no.167803.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12651-234613.
See Mitten, D.G. & Doeringer, S.F., Master Bronzes of the Classical World, New York, 1968, pp.51-52, figs.33, 34, for type.
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AUCTIONS:
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LOT 0626
Iberian Bronze Statuette
Estimate £3,000 - 4,000€3,480 - 4,640 (for guidance only)$4,050 - 5,400 (for guidance only)
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Greek Gold 'Golden Fleece' Ram-Horn Pair
5th-3rd century B.C.Sold for (Inc. bp): £6,240
A matched pair of sheet-gold model ram's horns, each curved with a narrow end flattened, ribbed body, flared rim to the mouth with applied granule detailing; probably from a representation of the χρυσόμαλλον δέρας or 'golden fleece' from the legend of Jason and his adventures with the crew of the ship Argo. 60.61 grams total, 10.5 cm each
From a private collection of seals and amulets, the property of a Canadian gentleman living in London; from his father's collection formed in the late 1960s to 1980s. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13105-249639.
The legend of the Golden Fleece is referenced by several ancient writers, including Pindar, whose reformulation forms the basis of most modern retellings, but an earlier version was evidently familiar to Homer in the 8th century B.C. It appears as a pictorial theme on early Greek vases. The story refers to a celestial winged ram with golden wool, which was believed to live and be worshipped by the inhabitants of lands north of the Black Sea; this ram, in some versions of the tale, is transformed into the constellation Aries. -
Large Greek Red-Figure Amphora with Lady of Fashion
Apulian, 3rd-2nd century B.C.Sold for (Inc. bp): £3,900
The conical mouth with laurel-leaf motif, palmettes below; lateral strap handles to the shoulder and palmette below each; Side A: profile bust of a lady of fashion with her hair in a chignon covered by a sakkos; Side B: similar design. 2.48 kg, 46.5 cm high
Acquired on the art market between the late 1990s and mid-2000s. Estate of the late Barry Paul Buxton (1944-2024), Oakham, Rutland. Acquired on the UK art market, 2025. Accompanied by a thermoluminescence analysis report no.N126a17 from Oxford Authentication. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.13076-248950.
The pattern-work and the female head seem to connect the vase more closely with the Monopoli Group. The corkscrew curls on the hair over the ear and the sakkos with a bow at the top are, in fact, typical of the heads of this group. -
Greek Red-Figure Patera with Chimera
Apulian, 4th century B.C.Sold for (Inc. bp): £5,720
With curved rim, carinated profile and low foot; rim with reserved wave pattern, tondo with reserved ring enclosing a chimera in profile advancing on an egg-and-dart baseline; repaired and partly restored. 342 grams, 20.5 cm wide
Ex private North American collection. Acquired in the United States, 2010. Accompanied by an academic report by Dr Raffaele D'Amato. Accompanied by a thermoluminescence analysis report no.N126a12 from Oxford Authentication. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13028-246781.
The legend of Bellerophon and the chimaera was a subject highly appreciated by the Greek ceramists. Red-figure Apulian plates depicting the chimaera were realised in South Italian workshops dating back to around 350-340 BC. The most famous example and possible prototype is the one held at the Musée du Louvre in Paris, created using the red-figure technique.