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LOT 0067
Huge Corinthian Black-Figure Lekanis Lid
6TH CENTURY B.C.
19 1/2 in. (3.7 kg, 49.5 cm wide).
An extremely large Corinthian or Attic black-figure ceramic lekanis lid with concentric bands to the rim and handle; to the tondo, a frieze of painted figures comprising a swan, a regardant lion, two opposed sphinxes, another regardant lion, another swan, a bull, a lioness and part of another bull(?); restored.
ProvenanceAcquired early 1990s.
Ex private American collection; thence by descent.
Private Swiss collection since 1998.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11614-199000.
Cf. The Metropolitan Museum, accession numbers 06.1021.23a, b; 74.51.364; 06.1021.23a, b and 27.116, for similar animal figures painted on different vessel types and 1991.11.1, for a comparable lid of this date; cf. The British Museum, museum number 1886,0401.1180, for a very similar lion figure.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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LOT 0067
Huge Corinthian Black-Figure Lekanis Lid
Estimate £10,000 - 14,000€11,600 - 16,240 (for guidance only)$13,500 - 18,900 (for guidance only)
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Greek Terracotta Boar Statuette
5th-3rd century B.C.Sold for (Inc. bp): £234
A terracotta figure or statuette modelled as a standing boar with stylised anatomical detailing including a portly stomach, stub legs, tail held along the ridge of the animal's back, cropped mane and elongated snout. 98 grams, 87 mm wide
Acquired before 2000. From the property of a Suffolk, UK, lady. -
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Hellenistic Gold Amphora Pendant Inlaid with Gemstones
2nd-1st century B.C.Sold for (Inc. bp): £1,430
A gold amphora-shaped pendant composed of strip-twist volute handles, spool-shaped neck, piriform body and plinth style foot, body decorated with deep geometric cells inlaid with vibrant lapis lazuli, turquoise and possibly glass paste; suspension loop over mouth; accompanied by a custom-made display stand. 6.96 grams, 33 mm (16 grams total, 49 mm including stand)
Fine condition.
with Sotheby's, New York, 12 June 2001, lot 230 (US$10,000-$15,000). Property of a London gentleman. Accompanied by copies of the relevant Sotheby's catalogue pages. -
Large Greek Apulian Red-Figure Bell-Krater
4th century B.C.Sold for (Inc. bp): £28,600
A red-figure terracotta bell-krater displaying polychrome figural panels between a laurel wreath and a band of Greek key motifs; side a) two robed male figures holding staffs, wearing a taenia or a band around the head, standing facing a central altar; side b) a woman wearing a chiton and holding a casket and olive sprig in her outstretched hands, advancing right towards a nude man standing right, his head turned towards her, holding a bucket and olive sprig, a cloak draped over his arm, elaborate volute palmettes beneath both handles; restored. 4 kg, 41 cm wide
Private collection, Neuchâtel, Switzerland. Ex collection H.& P. Payot, Clarens, by descent. Accompanied by an original thermoluminescence analysis report no.QED2237/SG-0201 from QED Laboratoire. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11580-199029.
Wide-mouthed bell kraters like this one were specifically designed for holding large quantities of liquid and to work as mixing bowls, as it was considered barbaric for wine to be drunk neat (a privilege only enjoyed by Dionysus and his entourage who could handle such a level of intoxication). Wine would be mixed with water, usually one part to three, or even more, as described by Homer regarding the wine offered to the giant Polyphemus (Odyssey, IX, 206-211). As such, kraters provided an ideal large surface area for decoration, and as wine was of utmost importance at the symposium, kraters would usually take centre place, and the decoration of such vessels were geared towards such gatherings attempting to provide subject matter for philosophical debate, like the ones described in Athenaeus’ Deipnosophistae.
