Hellenistic Garnet Gemstone with Hercules Club and Lionskin

With pedestal base, piriform body, tapering neck with beak-like spout and tall strap handle to the rear; the body painted in a series of bands of strokes, ovolo motifs, waves, pellets and pendant vineleaves in white, cream and ochre; label to underside 'Apulian Gnathian Prochous CA. 320 B.C.'. 176 grams, 18.3 cm



Ex Fred Bentley Sr. GA (1926-2019). with Ahlers & Ogletree Inc., USA, 10 November 2023, no.343. Private collection, UK. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

Hoop with applied filigree and granules to the shoulders, inset later nicolo intaglio with janiform bust of male and female heads. 6.00 grams, 22.90 mm overall, 17.58 mm internal diameter (approximate size British O, USA 7, Europe 14.98, Japan 14)



Ex German art market, 2000s. Acquired from an EU collector living in London. From the collection of Surrey, UK, gentleman. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

Seated on a high-backed throne, wearing a polos headdress with two long braids falling from underneath the headdress, wearing a long chiton fastened by a belt, the left arm raised, possibly once holding a dove; well marked facial features, slightly almond-shaped large symmetrical eyes with slightly raised eyelids, straight nose, strongly pronounced mouth with fleshy lips and shallow ears; traces of brown slip, repaired. 2.02 kg, 57.7 cm



with H.A.C., Basel, prior 1999. Accompanied by a thermoluminescence analysis report no.N125a51 from Oxford Authentication. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.12461-228712. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

One of the most typical 6th century B.C. terracotta female figurines was that of a standing or seated woman wearing a chiton and a himation over it. It was a votive figure offered at the shrines or temples, usually representing the goddess Demeter. Attica was one of the principal centres of figurine production, but Corinth continued to produce solid standing or seated females with moulded fronts and flat backs. The mass production of such terracotta was also typical of Magna Graecia.