Heavy Western Asiatic Bronze Axehead

Comprising an embossed fragment of a breast-plate from muscle-type armour (thorax statos) representing Herakles fighting against the Hydra of Lerna; three-quarters of the hero's body preserved showing him naked in a dynamic position, wearing a fluttering short cloak (chlamys), overlooking the body of the monster of which the long tail covered with scales and fins is visible; fragment of cloak preserved separately. 122 grams total, 3.4-17.5 cm

Good portion of armour, extremely rare

Acquired on the French art market before 2000. From an EU collection before 2020.

This kind of armour is very rare, especially for this period, when most of the attested armour is plain or only slightly decorated. The young Herakles appears in heroic nudity running to the right, but, as on the cheek-piece from Gurlo, his head was probably turned in the opposite direction. The plasticism of the scene finds a good match in the Thracian tradition of the representation of weapons and armour, and the embossed elements with the highly prized work of the Panagyurishte treasure. The warrior-theme and the representation of Herakles or other fighting scenes on the Thracian and Hellenistic armours was a reference to the spirit of the immortal fighter.

The double-edged spatha with parallel-sided blade and pointed tip, battle nicks to both cutting edges; the hilt and tang extending over the blade as a tight-fitting sleeve; remains of rivet on the tang. 604 grams, 89 cm



Ex private collection of Mr M.B., Mainz, Germany, since the 1980s. Acquired from the above, 2004. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no. 11939-210916.

This sword belongs to the group of spathae of late Roman typology, widespread among the Germanic and Abkhazian foederati, and garrison troops of the Northern Black Sea and Caucasus. These swords could have been the prototypes of the Eastern Roman spathia, classified in the Strategikon of Pseudo-Mavrikios as Herouliskia (Herulian swords) for their connections with the Germanic mercenaries bearing them in service with the Roman army.

Composed of arched openwork shanks with looped terminals; one end fitted with large hoops and bar between; one end with a tripartite mouthpiece comprising two collared bars connected by a central hoop; Byzantine or early Ottoman. 340 grams, 19.5 cm

Fine condition.

Collection of Dr. Hanns-Ulrich Haedeke (1928-2017), author of ‘Schmuck Aus Drei Jahrtausenden’ and who became the director of the Museum of Klingenmuseum in Solingen, Germany, in 1968; the collection was formed in the early 1960s. From an important private Dutch collection.

This type of horse bit is visible on one of the most important equestrian artworks of the 15th century - the Cappella dei Magi by Benozzo Gozzoli, a painting representing the Three Kings visiting Christ, depicted in costumes belonging to the early quarter of the 15th century. All the cavalrymen in the artwork had heavy curb-bits (with short and curved shanks, as in our specimen) and heavy, single reins.