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LOT 1951
Greek Wooden Polychrome Mount Athos Annunciation Plaque
19TH CENTURY A.D.
4 5/8 in. (44.2 grams, 11.7 cm).
Rectangular openwork plaque showing the Archangel Gabriel appearing to the Virgin Mary within an architectural arch.
ProvenanceAcquired on the European art market.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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LOT 1951
Greek Wooden Polychrome Mount Athos Annunciation Plaque
Estimate £200 - 300€230 - 350 (for guidance only)$270 - 410 (for guidance only)
Opening Bid
£100 (EUR 116; USD 135) +BP*
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Post Medieval Silver-Gilt 'Feare God Only' Posy Ring
Circa 18th century A.D.Estimate: £120 - 170 (+bp*)
Bids: 1 | Current Bid: £5
Comprising a D-section hoop with plain exterior, inner face inscribed with 'Feare God only'. 2.99 grams, 22.24 mm overall, 18.65 mm internal diameter (approximate size British R, USA 8 1/2, Europe 18 3/4, Japan 18)
Acquired on the UK art market. Property of a Suffolk, UK, gentleman. -
Georgian Era Gold Fob Seal with Carnelian Intaglio of Inigo Jones Attributed to Edward Burch
England, 18th century A.D.Estimate: £1,500 - 2,000 (+bp*)
Opening Bid: £750
Vibrant red carnelian intaglio skilfully carved with a bust of a mature man in three-quarter view, gazing right, wearing a wide-collared, buttoned tunic and a cap, long curly hair framing his bearded face with a deeply furrowed forehead; set in a gold frame with an amphora-like looped handle; supplied with a museum-quality impression. 11.72 grams, 33 mm
Acquired on the European art market.
Edward Burch (1730–1814) was a distinguished English gem engraver and miniaturist, celebrated for his intricate craftsmanship and artistic versatility. A founding member of the Royal Academy of Arts in 1768, Burch gained acclaim for his engraved gemstones, which often depicted classical and mythological themes, reflecting the neoclassical style of the Georgian era. His skill in miniature painting further demonstrated his artistic range and mastery of detail. Highly respected in his time, Burch’s works remain admired for their technical precision and elegance, preserving his legacy as a key figure in 18th-century British art. Inigo Jones (1573–1652) was a pioneering English architect who is widely regarded as the first significant figure to introduce the principles of Renaissance architecture to England. Influenced by his studies in Italy and the works of Andrea Palladio, Jones designed elegant structures characterised by classical symmetry, proportion, and restraint. His most famous works include the Banqueting House at Whitehall, the Queen’s House in Greenwich, and contributions to the layout of Covent Garden. Jones’s adoption of Palladian ideals marked a departure from the Gothic style that had dominated English architecture, laying the foundation for subsequent developments in the Classical tradition. -
Post Medieval Chalcedony Gemstone with Bust of Minerva
18th century A.D.Estimate: £100 - 140 (+bp*)
Opening Bid: £50
Translucent cameo with the profile bust of Goddess Minerva wearing a crested helmet. 1.5 grams, 20 mm
Acquired on the European art market.