Loading, please wait...

Use mousewheel to zoom in and out, click to enlarge

Details

LOT 0090

Greek White-Ground Kotyle with Panther, Goat and Swan

CORINTHIAN, 6TH CENTURY B.C.

6 in. (102 grams, 15.1 cm).

Squat in profile with lateral loop handles, vertical stripes to the rim, frieze with a grazing goat, a panther to its rear and a perching swan.

Provenance

Ex private collection, Tokyo, Japan, since the 1980s.
Private European collection, acquired in 2010.

This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.13227-249320.

Literature

Cf. Amyx, D.A., Corinthian Vase Painting of the Archaic Period, Berkeley, London, New York, 1988, pl.20 1a-1b, for a similar, but not identical skyphos, from the Pechorara Painter.

Footnotes

In agreement with most scholars of the Corinthian pottery, Amyx and Payne used the term kotyle, rather than skyphos, to designate the distinctive group of deep cups with no offset lip, horizontal handles set near the rim, a convex tapering body and a narrow, echinoid foot.

CONDITION

VETTING:

TimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process


AUCTIONS:

TimeLine is a leading auction house specialising in antiquities, ancient art, collectables, natural history, coins, medals, and books. Our auctions offer museums, collectors, historians, and enthusiasts the opportunity to acquire unique and historically significant pieces.

LOT 0090

Greek White-Ground Kotyle with Panther, Goat and Swan

Estimate £3,000 - 4,000€3,480 - 4,640 (for guidance only)$4,050 - 5,400 (for guidance only)

Print page

RELATED LOTS

  • Greek Black-Figure Miniature Amphora with Swan
    Greek Black-Figure Miniature Amphora with Swan
    Attic, 6th-5th century B.C.

    Estimate: £4,000 - 6,000 (‡+bp*)

    Opening Bid: £2,000

    With two handles and an everted rim; parallel, vertical strokes on the neck and below a swan with its wings open and neck elegantly curved, a staff on the background. 57.1 grams, 76 mm



    Swiss private collection, assembled in the 1960s and 1970s. Acquired by the present owner in 2004. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.13019-246754.

    The swan was a favoured motif in Greek art, admired for its elegance and associations with divinity and beauty. In mythology, the bird was sacred to Apollo, god of music and light, whose chariot was said to be drawn by swans on his annual journey to the land of the Hyperboreans. It was likewise linked to Aphrodite, symbolising love and sensuality, and appears in scenes celebrating harmony and the ideal of beauty. The swan also featured prominently in the myth of Leda and the Swan, in which Zeus, transformed into the bird, inspired numerous representations across Greek art.

    Lot Details

  • Greek Iridescent Pale Aqua Glass Bowl
    Greek Iridescent Pale Aqua Glass Bowl
    Hellenistic, mid 2nd-early 1st century B.C.

    Sold for (Inc. bp): £2,080

    Conical in profile with a rounded apex, aqua glass with three incised bands below the rim on the inner face. 380 grams, 16 cm wide



    Dr Jutaro Kawabe, Nagoya, Japan, his collection formed in the 1960s-1970s. with Hoshigaoka Gallery until the late 1990s. Private collection, London, UK. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12949-245243.

    On ancient glass, iridescence is the soft play of colour that develops as the surface ages and becomes silica-rich. Minute layers form over time and break light into shifting blues, greens and golds. It is not a modern finish but something time has drawn out of the material itself, so the pattern and palette are unique to each piece. Collectors prize good, stable iridescence because it lifts the form: ribs read more crisply, profiles glow, and simple vessels take on depth and movement. Museums now tend to preserve these surfaces rather than polish them away, recognising both their beauty and what they tell us about an object’s long life (though it is not, by itself, a dating test). For display, iridescent glass performs brilliantly under gentle, directional light, where the colours “turn” as the vessel is moved. Well-preserved, even iridescence of this quality is not common and adds materially to the presence—and desirability—of the piece.

    Lot Details

  • Greek Gold Amuletic Bird
    Greek Gold Amuletic Bird
    5th-1st century B.C.

    Estimate: £1,500 - 2,000 (‡+bp*)

    Opening Bid: £750

    Comprising a sheet-gold hollow-formed avian figure with applied filigree detailing, and a separate beaked head; accompanied by a rectangular blue glass fragment. 0.57 grams, bird: 19 mm



    Private collection, USA and Switzerland, acquired in the late 1980s-early 1990s; thence by descent.

    Lot Details

Stay up-to-date with the latest from TimeLine Auctions by joining our mailing list