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LOT 0090
Greek White-Ground Kotyle with Panther, Goat and Swan
CORINTHIAN, 6TH CENTURY B.C.
6 in. (102 grams, 15.1 cm).
Squat in profile with lateral loop handles, vertical stripes to the rim, frieze with a grazing goat, a panther to its rear and a perching swan.
ProvenanceEx private collection, Tokyo, Japan, since the 1980s.
Private European collection, acquired in 2010.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.13227-249320.
Cf. Amyx, D.A., Corinthian Vase Painting of the Archaic Period, Berkeley, London, New York, 1988, pl.20 1a-1b, for a similar, but not identical skyphos, from the Pechorara Painter.
FootnotesIn agreement with most scholars of the Corinthian pottery, Amyx and Payne used the term kotyle, rather than skyphos, to designate the distinctive group of deep cups with no offset lip, horizontal handles set near the rim, a convex tapering body and a narrow, echinoid foot.
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LOT 0090
Greek White-Ground Kotyle with Panther, Goat and Swan
Estimate £3,000 - 4,000€3,480 - 4,640 (for guidance only)$4,050 - 5,400 (for guidance only)
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Greek Red-Figure Bell Krater with Warrior Funerary Offering Scene, Attributed to CA Painter
Campanian, 350-300 B.C.Sold for (Inc. bp): £5,980
Comprising a bell-shaped body with narrow stem and stepped pedestal foot, broad rim with square loop handles and palmettes beneath, frieze to sidewall: Side A: Oscan warrior with cuirass, helmet, shield and spear standing beside an altar with a female holding a patera in her extended hand, diadem in the other at her side; Side B: seated female with a patera and wreath facing a standing cloaked figure with thyrsus. 2.38 kg, 29.5 cm high
Private collection, Geneva, acquired in the late 1960s. Private collection, acquired in Geneva in 2000. Accompanied by collector's notes and old images. Accompanied by an original copy thermoluminescence analysis report no.QED1412/.SG-0602 from QED Laboratoire. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13219-249314.
The krater offers an interesting glimpse into the local life of Campania in the 4th century B.C. Particularly noteworthy is the depiction of the Oscan Samnite warrior, fully armed in the style of Campanian, Samnite, or Lucanian mercenaries, performing a funerary sacrifice. The depiction of the Chalcidian helmet, with its central crest and twin lateral plumes (geminae pinnae), dedicated to Mars, is extremely detailed. The style and the way in which the figures are realised, the conformation of the women, the details of the warrior, seem to point to the workshop of the CA Painter, a Campanian red-figure vase-painter whose name is unknown. Nevertheless, consistent individual characteristics of style suggest the existence of a unique artistic personality. Trendall called him the CA Painter because he was the chief painter in the first stage of Cumaean red-figure vase-painting, the initials standing for Cumaean (C), first stage (A). -
Greek Terracotta Oil Lamp
Cyprus, circa 4th century B.C.Sold for (Inc. bp): £85
Round body with raised rim on the filler hole, long tubular nozzle, and gently flaring foot; collection label on the base '4th c. BC, M6'. 60.5 grams, 80 mm
Private collection, Oxfordshire, UK, by direct descent from the collection of Judge George Cyril Griffith-Williams (1893-1983), Supreme Court Judge of the Colony of Cyprus; items having been collected in the 1930s and 1940s in Cyprus during his tenure there. -
Scythian Bronze Finial with Animal Head
5th-4th century B.C.Estimate: £2,000 - 3,000 (+bp*)
Opening Bid: £1,000
Comprising an ellipsoid panel mounted on a conical socket; openwork lattice design with lozenge voids; socket with horse-head to one face, lateral lugs above the mouth. 570 grams, 24.6 cm
Private European collection, 1990s. Private collection, London, UK. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13278-254311.
Bronze pole tops, together with mirrors and horse trappings, were characteristic of Scythian art. Usually, Scythian warrior burials were accompanied by horses, the number of which corresponded to the status of the deceased (Galanina, 1997, p.54, fig.16). In the famous Chrertomlyk barrow, together with a deposit of 250 bridles, several openwork pole-tops were found, with figures of animals and birds, which could have been mounts for the harness or top of standards. However, they could also have been the upper part of staff poles decorating funeral wagons. Pole tops are one of the most significant objects used by the Scythians, and formed part of the ritual furnishings.
