Loading, please wait...
LOT 0090
Greek White-Ground Kotyle with Panther, Goat and Swan
CORINTHIAN, 6TH CENTURY B.C.
6 in. (102 grams, 15.1 cm).
Squat in profile with lateral loop handles, vertical stripes to the rim, frieze with a grazing goat, a panther to its rear and a perching swan.
ProvenanceEx private collection, Tokyo, Japan, since the 1980s.
Private European collection, acquired in 2010.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.13227-249320.
Cf. Amyx, D.A., Corinthian Vase Painting of the Archaic Period, Berkeley, London, New York, 1988, pl.20 1a-1b, for a similar, but not identical skyphos, from the Pechorara Painter.
FootnotesIn agreement with most scholars of the Corinthian pottery, Amyx and Payne used the term kotyle, rather than skyphos, to designate the distinctive group of deep cups with no offset lip, horizontal handles set near the rim, a convex tapering body and a narrow, echinoid foot.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
TimeLine is a leading auction house specialising in antiquities, ancient art, collectables, natural history, coins, medals, and books. Our auctions offer museums, collectors, historians, and enthusiasts the opportunity to acquire unique and historically significant pieces.
LOT 0090
Greek White-Ground Kotyle with Panther, Goat and Swan
Estimate £3,000 - 4,000€3,480 - 4,640 (for guidance only)$4,050 - 5,400 (for guidance only)
-
.jpg)
Greek Solid Gold Earring Pair
4th-2nd century B.C.Estimate: £3,000 - 4,000 (‡+bp*)
Opening Bid: £1,500
Each a thick braided hoop with a collar of twisted filigree and a lion's mask finial. 18.43 grams total, 27 mm each
Private London collection, 1980s. Private collection, acquired on the British art market in 1993. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13185-249263.
The earrings belong to the hoop-type earrings, in which animal and human heads form the terminal as small miniature sculptures modelled in the round. The heads were attached to collars made from a single piece of gold. The group is characterised by lion heads. -
Greek and Byzantine Ceramic Oil Lamp Collection
5th century B.C.-6th century A.D.Sold for (Inc. bp): £169
Comprising: a squat oil lamp with wreath surrounding the large filler hole, radiating sun motif on the base; the two larger terracotta lamps with open reservoirs with a central cone open beneath, short nozzle. 473 grams total, 9.2-17.8 cm
Ex R.C. collection. Acquired by Galerie Rhéa, Zurich, from the above in 2010. -
Greek Terracotta Black-Figure Oinochoe with Fighting Warriors
Attic, late 6th century B.C.Estimate: £25,000 - 35,000 (‡+bp*)
Opening Bid: £12,500
With flared foot, ovoid body, tapering neck and scooped trefoil mouth; tall gusseted strap handle to the rear; painted frieze of a phalanx of hoplites wearing crested helmets and bell-shaped armour with round aspis and eight-shaped (Boeotian) shields, knemidai greaves, long spears and scabbarded swords. 487 grams, 23.2 cm
Private Swiss collection, 1980s. Acquired on the European art market, 1992; thence by descent. Accompanied by an academic report by Dr Jacques Chamay. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13220-249241.
The scene depicts a succession of warriors, marching to the left at a rapid pace. Closely packed, one behind the other, they are confined within the figurative field and extend well beyond the upper and lower edges. It is a scene taken from the Homeric poems. The style of the oinochoe is characterised by the abundant use of thick white and burgundy highlights, resulting in a striking polychrome effect. There is a tendency to extend the figures beyond the frame, due to the subject being too ambitious for the available surface. The chequerboard motif on the neck is a very rare decorative motif. The vase's importance is reinforced by its exceptional state of preservation.
