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LOT 0321
Greek Virgin and Child Hodegetria Icon
17TH CENTURY A.D.
10 7/8 x 8 1/2 in. (520 grams, 27.5 x 21.5 cm).
A tempera on wood icon depicting the Mother of God supporting the Child with her left forearm, his right hand raised and making the sign of blessing, left hand holding a scroll; the Virgin wearing a red maphorion with a light green veil and a blue chiton; both figures nimbate, the haloes tooled with foliate designs, gilt background with a red and white arch above.
ProvenanceProperty of a London lady, part of her family's collection.
LiteratureSee similar icon in the Princeton Art Museum, inventory number y1945-196, icon by an imitator of Emmanuel Lampardos, published in Princeton University Art Museum, Recent Accessions, record of the Museum of Historic Art, vol.4. no.2 (Autumn, 1945), pp.11-12.
FootnotesThe layout of the composition clearly indicates the icon's close link with Hodegetria type, the most typical iconography of the Mother of God in Byzantium since the 10th century. However, the type also recalls the iconography of the Virgin Psychosostria, i.e. 'Health of Souls'.
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Stuart Period Large Gold Signet Ring with Arm and Floral Spray
17th century A.D.Sold for (Inc. bp): £13,000
A gold signet ring composed of a D-section hoop and facetted oval bezel, engraved with crest depicting a forearm and hand oriented right, holding a floral spray composed of three five-petalled flowers and four leaves, set within a beaded octagonal border. 9.78 grams, 24.40 mm overall, 20.51 mm internal diameter (approximate size British V, USA 10 1/2, Europe 23.77, Japan 22)
Acquired in the 1980s. Property of a London gentleman. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11663-197588.
Signet rings were jewellery items serving practical functions, and were pressed into hot wax to seal letters and packets. Personal seals or secreta acted as a legal safeguard, since they were used to witness wills, loans, commercial, personal and other documents. Such rings were often engraved with a coat of arms, initials, merchant's mark or some other personal symbol. Painted portraits of this period portray the wearer with the signet ring on the thumb or forefinger, allowing for practical use. -
Marble Portrait Bust
19th century A.D.Estimate: £3,000 - 4,000 (+bp*)
Opening Bid: £1,500
A marble bust of a middle-aged man with short hair combed over his forehead, the face shown with a slight smile. 22.6 kg, 43 cm high
French collection, 1960s-early 2000s. From an important Paris gallery, France. with Hampel Fine Art Auctions GmbH & Co KG, 12 December 2014, lot 1919. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11693-199346. -
Post Medieval Marble Bust of a Female
Rome, 18th century A.D.Estimate: £3,000 - 4,000 (+bp*)
Opening Bid: £1,500
A naturalistic stone bust of a female figure modelled facing with her head turned right and upwards, her garment draped so as to reveal one of her breasts; on a tiered circular base. 24.4 kg total, 49.5 cm high including stand
English private collection. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11682-199821
