Loading, please wait...
LOT 0511
Greek Terracotta Protome Mask
CIRCA 4TH-3RD CENTURY B.C.
4 in. (127 grams, 10.4 cm).
C-section moulding with female face, pierced at the brow. [No Reserve]
ProvenanceAcquired 1970s-1996.
Property of a North American collector.
London collection, 2016.
Cf. similar in the collection of the British Museum under accession no.1814,0704.808.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
TimeLine is a leading auction house specialising in antiquities, ancient art, collectables, natural history, coins, medals, and books. Our auctions offer museums, collectors, historians, and enthusiasts the opportunity to acquire unique and historically significant pieces.
-
Greek Faience Vessel with Frieze of Hellenistic Busts
Circa 3rd-2nd century B.C.Estimate: £500 - 700 (+bp*)
Opening Bid: £250
A piriform jar with applied decoration presenting a scene with a chariot and a procession of animals, portico above. 1.79 kg, 28.5 cm high
Collected from 1979-1999. From the collection of the late Mr S.M., London, UK. -
Greek Italic Silver Fibula
5th-4th century B.C.Estimate: £600 - 800 (‡+bp*)
Opening Bid: £300
Segmented body with central filigree wiring, collared knops to three corners, integral coiled pin and trapezoidal catchplate with lotus flower engraved to the outer face, loop with stylised serpentine head to base. 13.5 grams, 63 mm
Acquired in Europe before 1994. European collection. -
.jpg)
Attic Red-Figure Bell Krater with Drunken Male Revellers Attributed to the Kadmos Painter
5th-4th century B.C.Estimate: £40,000 - 60,000 (‡+bp*)
Opening Bid: £16,667
With a high foot, laurel wreath encircling the neck, checkerboard and meander patterns alternating around the lower body, roundels of tongue motif to the handles with palmettes and tendrils below; two red-figure scenes to the body: Side a: a high-quality depiction of a Kōmos composed of five figures, including a young man holding a torch, a double flute player next to three dancers, all possibly followers of Dionysus; side b: three draped figures conversing comprising a central female figure between two opposed male figures, one holding a staff. 3.8 kg, 37 cm wide
Ex Feuardent collection, France, collected in the late 19th century (two old labels: one with 3061-133) on the inner rim and 113/2 (an old lot label from the 1900s/1920s) on the sidewall, further old assession numbers under the base: 321 and 35). Private collection, acquired in Paris, 2004. Accompanied by a copy of a thermoluminescence analysis report no.N111j79 from Oxford Authentication. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11786-206517.
The Kadmos Painter was an Athenian red-figure vase painter, whose real name is unknown. His nickname was bestowed by Beazley, naming him after the subject of a famous hydria in Berlin (Antikensammlungen Berlin/Altes Museum, found in Vulci). He illustrated many mythological scenes, sometimes with figures arranged up and down the field, usually on bell craters, vessels used in symposia for mixing wine and water. A Komos was a ritualistic drunken procession performed by revellers in ancient Greece. It preceded and/or followed the banquet, whether unbridled in nature with music and games, or serious and mythical.
