Greek Terracotta Oil Lamp

With flared mouth, wide neck, bulbous body and ring foot, painted in brown and red matte glaze; geometric pattern spread over several registers separated by bundles of encircling stripes, triangles with hatching inside them, neck with metopes containing swastikas, rosettes and rhombuses with a band of rhombuses beneath; the shoulder with five line friezes arranged one above the other; the body decorated with meander and a band of rhombuses and triangles with hatching below, a broad black stripe (in places reddish as a result of misfiring) to the lower part; transition to the ring foot and ring foot painted black; wide strap handle attached to the shoulder and painted on the outside with a wavy line framed by dots, edge stripes and three small stars, the connecting bar patterned with stripes; museum-quality restoration. 2.04 kg, 35.5 cm



Ex Madame P., Paris. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12460-228686.

Vessels of the Geometric period (900-700 BCE) are easily recognisable by their abstract decorative designs, which had their origin in woven textiles and baskets. While early period pottery typically has sparse geometric motifs on a black background, the amount of decoration increased progressively to the point that objects from the late Geometric period are often entirely covered - in this example, even the strap handle.

Four-sided bead with an oval panel on each side: panel 1: reclining feline with frontal head with apotropaic eyes; panel 2: three-leaved plant opposite a goblet(?) with four pellets and two crosses; panel 3: a plant and a big frontal apotropaic eye; panel 4: three segments, a plant, a butterfly or a bird; accompanied by museum-quality impressions. 4.21 grams, 21 mm



From the collection of the late Mr Priday, Hertfordshire, UK, thence by descent. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13339-258812.

Four-sided prisms are usually fashioned in jasper, light-coloured chalcedony and lightly banded carnelian. The workmanship is usually excellent. Largely on stylistic grounds, these seals are datable mostly to MMII (c. 2100–1875 B.C.), although they occur both slightly earlier and later.

Comprising a crescentic body with a slender neck at each end, topped by a bird-head with a rectangular crest, vertical legs with raised block detailing conjoined at the lower end into a mounting peg. 55.6 grams, 86 mm



Ex collection Mr K.H., Germany. Private collection, acquired in 2012. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.13077-246757.

Bird figures, standing on plates or discs, are found as votives mainly in Northern Greek sanctuaries of the Geometric Age. They should be regarded as symbolic and sometimes modest gifts to the gods. Some birds were also designed as pendants. The present fitting resembles a rooster, but it could also represent a peacock, and hence is connected with the goddess Hera.