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LOT 0512
Greek Terracotta Oil Lamp
CIRCA 3RD-2ND CENTURY B.C.
3 1/4 in. (68.5 grams, 84.4 mm).
Drum-shaped body with raised rim on the filler hole, long flared nozzle, lateral spur to sidewall. [No Reserve]
ProvenanceFrom the private collection of Mr Brian Edwards, New Malden, Surrey, UK, formed from the late 1970s-early 1980s; thence by descent.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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Greek Terracotta Votive Head
Mediterranean, circa 700 B.C.Sold for (Inc. bp): £65
Bulbous head with stylised owl-like facial features, large applied pupils and ear; mounted on a custom-made display stand. 96 grams total, 46 mm (65 mm high including stand)
Acquired from Vanessa Purcell & Company, Manchester, UK, in 1993. From the collection of Mr & Mrs J.G.W. Lee, late Herefordshire collectors, their collection having been established from the 1990s. Accompanied by an original sales receipt. -
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Greek Solid Gold Ring Idol
5th-4th millennium B.C.Sold for (Inc. bp): £2,730
Annular in form with pierced tab. 0.66 grams, 18 mm
Private collection, acquired in the late 1980s-early 1990s; thence by descent.
During the Greek Neolithic, certain types of ornaments share common morphological characteristics; one such example is the so-called ‘ring-idols’. The prototype of these ring-shaped pendants seems to have been made out of gold, which began to be used during these late phases of the Neolithic in Greece and the Balkans, in general. -
Greek Terracotta White-Ground Painted Lekythos Attributed to the Athena Painter
Circa 510-500 B.C.Estimate: £4,000 - 6,000 (‡+bp*)
Opening Bid: £2,500
Cylindrical with stepped foot, five palmettes above the shoulder, dynamic frieze of two men visiting two hetairai, each of the figures dressed in long pleated garments, at the centre of the scene, a hetaira on the right reaching towards the bearded male and gently touching his chin with her open hand, a tall draped table behind her with an amphora underneath and a standing bird on the top. 459 grams, 26.4 cm
H.A.C. (Herbert A. Cahn), 19 October 1979. Private collection, Bern, Switzerland. Accompanied by an original thermoluminescence analysis report no.N125q45 by Oxford Authentication. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12644-236376.
The Athena Painter is known as the painter who designed several Greek black-figure pottery works using the 5th-century BC white-ground technique. He specialised in lekythoi and refers to Athena as the main subject in his works. Together with the Theseus Painter, they continued the tradition of painting large lekythoi. His black figures are of high quality, and in addition to lekythoi, he decorated other potteries such as oenochoai. Some archaeologists say that he may have been the same person as the Bowdoin Painter of red-figure pottery, although they may have just worked in the same workshop.
