Greek Terracotta Oil Lamp

Modelled in the round in energetic pose with left hand resting on the hip and right arm raised, head tilted slightly upwards, tail curled gracefully over the rump; on a square base with papyrus stalk detailing; on a later gilt-metal stand mounted on a polished stone cube. 679 grams total, 20.4 cm including stand



Iris Cornelia Love (1933–2020), New York, collection primarily formed in the 1950s-1970s.

Each a profile ibex with head reversed, horn returned to attach at the neck, pellet eye, beaded ring-and-dot motif to the shoulder and hip; thick attachment loop to the reverse. 15.6 grams total, 34-34.2 mm



Acquired in the 1980s. Private collection, London, UK. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13253-252971.

It is possible to hypothesise that these two elements were bridle plaques, like the two wolf-shaped bridle plaques, in a similar position and style, found in the Kurgan of Pazyrik (Piotrowskij, 1987, p.107, no.137). Belt plaques with zoomorphic motifs illustrate not only the recognised unity of the zoomorphic art of the Steppes, but also the links between the Scythians and the eastern nomadic groups.

Bell-shaped in profile with carination above the foot. 144 grams, 11.2 cm



Ex property of a London, UK, gentleman, Mayfair gallery, 1990s.