Greek Terracotta Oil Lamp

The body formed as a male head with his elongated neck forming the foot of the vessel; wearing an ivy-leaf crown, stylised, painted facial features and a full beard, two rows of stylised curls above the forehead; the neck of the vessel emerging from the top of his head, trefoil mouth and a handle to the rear; some repainting. 77 grams, 11.8 cm



Swiss private collection formed in 1960s-1970s. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13016-246780.

Head vases first appeared in the late 7th century B.C. in eastern Greece. The potters of Attica adopted this shape in the late 6th century, with a clear preference towards female heads, but not excluding male heads, especially when referring to mythological heroes or characters. The work, with its finely modelled features, is the product of an Attic workshop. According to the Beazley classification, the oinochoe should belong to the group N (Cook Class), generally dated to the 480-460 B.C. and widespread around the Mediterranean and Black Sea (a similar female example was found in Aphytis – Chalcidika).

Comprising the upper two thirds of the vessel; on the shoulder a facing woman's head with diadem and half-veiled face; rosettes to left and right, with suspended ribbons and dots; vine motif around the body with floral ornaments; to the reverse, palmettes and vines; band of laurel with rosettes around the neck and wavy band at the mouth; reassembled from various fragments with three large areas of restoration, only the beginnings of the handles preserved; mounted on a custom-made stand. 1.95 kg, 31 cm (2.6 kg total, 47.5 cm high including stand)



Ex Herbert A. Cahn, Basel, 1990s. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12475-228738.

The face-veiling gesture is a known marriage rite; the diadem may suggest that she is intended to represent Persephone. Alternatively, the veiled woman might be a dancer as many terracotta figurines of dancing women are shown with face-coverings. However, the floral ornaments could indicate a funeral or sepulchral context.

Irregular fragment depicting a draped figure playing a lyre, possibly Apollo; meander line to the reverse. 7.25 grams, 42 mm



From the stock of a former UK antiquarian, acquired at trade fairs and from private collection formed in the 1980s-1990s. Private collection, Europe.