Greek Terracotta Oil Lamp with Annulets

D-section hoop with stepped rims and trefoil shoulders, cuboid bezel with incuse profile bust of Athena to the upper face. 10.19 grams, 27.01 mm overall, 17.71 mm internal diameter (approximate size British O 1/2, USA 7 1/4, Europe 15.61, Japan 15)



Ex German art market, 2000s. Acquired from an EU collector living in London. From the collection of a Surrey, UK, gentleman.

Comprising a circular body with a rounded base and two strap handles, a short neck with an everted rim; the body with a painted expanding cross motif with the arms separated by a band of pellets. 132 grams, 11.1 cm



Private collection, Switzerland, acquired in the 1994. Private family collection since the late 1990s. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13018-246795.

Mycenaean ceramics were influenced by Minoan shapes and decorative styles from the late Middle Helladic period. This close relationship – likely accompanied by the development of shared cultural practices and etiquette – creates the hypothesis that pilgrim flasks were introduced to Greece via Crete. Pilgrim flasks were produced in Mycenaean contexts from the Late Helladic IIA:1 period (1420-1390 B.C.).

Dynamic scene of two nude wrestlers, the giant Antaeus and Hercules, Hercules lifting Antaeus off the ground with his arms, while Antaeus is trying to pry his arms open to regain his contact with Mother Earth that would restore his strength; set on a custom-made display stand. 1.01 kg total, 20.3 cm high including stand



Mallams Oxford. From a UK private collection since the 1970s. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13333-258242.

Here, the giant Antaeus is depicted with the more common dimensions of the hero, Hercules. Antaeus was a giant, the son of Neptune and Gaia. Antaeus would challenge all passers-by to wrestling matches and remained invincible as long as he remained in contact with his mother, the earth. As Greek wrestling, like its modern equivalent, typically attempted to force opponents to the ground, he always won, killing his opponents. He built a temple to his father using the skulls of his defeated opponents. Antaeus fought Hercules as he was on his way to the Garden of Hesperides as his Eleventh Labour. Hercules realised that he could not beat Antaeus by throwing or pinning him. Instead, he held him aloft and then crushed him to death in a bear hug. The scene is famously depicted on a Greek krater dating to the sixth century BC and now in the Louvre, and was a popular subject for Renaissance artists. The episode of Hercules defeating Antaeus is mentioned in the Metamorphoses by Ovid.