Greek Terracotta Idol Head

With mammiform body, pedestal base and two loop handles; each side with a facing image of an owl between laurel fronds. 239 grams, 17.5 cm



Swiss private collection, assembled in the 1960s-1970s. Private collection, acquired in 2013. Accompanied by a thermoluminescence analysis report no.N126a14 from Oxford Authentication. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12854-241751.

Bubo was the holy beloved magical owl of the goddess Athena, and it was a common subject on Greek painted ceramics. The owl-skyphos, originally produced in 5th century Athens, was extremely popular and was exported from Athens to other parts of the Greek world, including southern Italy and Etruria. Local imitations have been excavated at Corinth, and during the fourth century, or perhaps even slightly earlier, skyphoi similar to those from Athens were produced in Apulia and Etruria.

Comprising: a broad shallow bowl with two loop handles curving up towards the rim, short stem and broad foot with chamfered outer edge; the bowl with reserved central disc to inner face, palmette motifs at the junctions of the handles, frieze depicting two standing nude males flanking a crouching sphinx in profile; restored and with old dealer's labels beneath base. 414 grams, 27.3 cm wide



Ex Prof. F.S., Villingen-Schwenningen, Germany, 1991. with Gallery Drees Archeo S.P.R.L., Brussels. Acquired from the above, 16 December 2017. Accompanied by a copy of an Art Loss Register certificate, no.S00041086. Accompanied by a Gallery Drees Archeo certificate of authenticity. Accompanied by a thermoluminescence report no.0102 0910 from Laboratory Ralf Kotalla, 6 September 2010. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12945-246388.

The present piece is a wide-bowled drinking cup known as a kylix - one of the most popular forms of pottery from the Achaean times (1600-1100 B.C.) through to the classical period (c.510-323 B.C.). It dates to an important moment in the development of Greek ceramics, just as the black-figure technique was being perfected by Athenian painters. Painted in black slip with details incised on top, kylikes usually had a frieze around the outside of the bowl as well as another scene on the tondo of the inside. The scene here represented can be linked with the well-known episode of Oedipus and the Sphinx.

Modelled in the round in energetic pose with left hand resting on the hip and right arm raised, head tilted slightly upwards, tail curled gracefully over the rump; on a square base with papyrus stalk detailing; on a later gilt-metal stand mounted on a polished stone cube. 679 grams total, 20.4 cm including stand



Iris Cornelia Love (1933–2020), New York, collection primarily formed in the 1950s-1970s.