Greek Terracotta Goddess Figure

The handle formed as a nude youth supporting a panel of double volutes and half-palmettes, long braided hair falling at the back of the neck and on his forehead; the legs joined and ankles extended, the feet enclosed in pointed shoes, palmette below; accompanied by the bowl with inverted rim, a pair of parallel lines to the outer rim; the handle and part of the rim detached and mounted separately on the custom-made display stand. 1.35 kg total, 45.5 cm high including stand



with Herbert A. Cahn, Basel, 1990s. Accompanied by a copy of an Art Loss Register certificate no.S00075168. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.12462-228709.

Anthropomorphic handles with images of young naked boys connected with animals were widespread and used for mirrors. The object, in particular, is part of the group of mirrors and paterae with standing youths (male and female, probably symbolising athletes) and nude female mirror caryatids (Mitten-Doeringer, 1968, figs.87-88) serving as vertical handles.

Mould-made female protome with oval face, graceful nose and typical "archaic" smile; forehead framed by snail-shell curls descending to shoulder-height; with a low polos with a central perforation and large disc earrings. 606 grams, 19.5 cm



Ex Herbert A. Cahn, Kunst der Antike, Basel, 1997. with Paul and Vreny Vosseler-Studer, Riehen. Accompanied by a copy of an Art Loss Register certificate no.S00057826. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12474-228714.

With flared mouth, wide neck, bulbous body and ring foot, painted in brown and red matte glaze; geometric pattern spread over several registers separated by bundles of encircling stripes, triangles with hatching inside them, neck with metopes containing swastikas, rosettes and rhombuses with a band of rhombuses beneath; the shoulder with five line friezes arranged one above the other; the body decorated with meander and a band of rhombuses and triangles with hatching below, a broad black stripe (in places reddish as a result of misfiring) to the lower part; transition to the ring foot and ring foot painted black; wide strap handle attached to the shoulder and painted on the outside with a wavy line framed by dots, edge stripes and three small stars, the connecting bar patterned with stripes; museum-quality restoration. 2.04 kg, 35.5 cm



Ex Madame P., Paris. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12460-228686.

Vessels of the Geometric Period (900-700 BCE) are easily recognisable by their abstract decorative designs, which had their origin in woven textiles and baskets. While early period pottery typically has sparse geometric motifs on a black background, the amount of the decoration increased progressively to the point that objects from the late Geometric period are often entirely covered - in this example, even the strap handle.