Greek Terracotta Deep Glazed Bowl

Deep sidewall, handle formed by a horizontal oval loop with offset central section and semi-circular plaque adorned with stylised pendant palmette; slightly offset rim. 775 grams, 32.9 cm



Ex P.M. Suter, 1970s-1994. with Cahn Auktionen AG, 3 November 2012, no.184. Accompanied by a copy of an Art Loss Register certificate no.S00069492. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

Bearing the weight of her body on her left leg, wearing a himation draped over her arms, the right arm bent to grasp a part of the himation that falls behind her, leaving her shoulders uncovered and revealing her naked body; the head turned slightly to the left; the hair arranged in the typical flattering melon coiffure, parted into six large sections and gathered into a low bun; oval face with a small, fleshy mouth and a fine nose; wearing large circular earrings; her right hand resting on top of a small pillar, covered by the cloak; the lower part of the himation embroidered with volutes; the back flat with a square hole for attachment; red-brown pigment on the hair, white coating, traces of pink on the himation and red on the edges of the feet. 493 grams, 22.5 cm high



Collected in the 1950s-1990s. Ex R. Liechti collection (1934-2010), acquired in Geneva. Accompanied by an academic report by Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11999-211931. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

In particular in South Italy, two types of female statuettes leaning on small pillars were widespread, derived from Tanagra prototypes: the first type dressed in a high-belted chiton with crowned head, the second consisting of partially draped or nude female figures identified as Aphrodite, like our specimen. The Tanagra production ended in about 200 B.C., but the models created by the Boeotian workshops would continue to be produced until the end of the 1st century B.C. The statuette shows extensive traces of the original polychromy, characterised by strongly contrasting hues in keeping with the local style. The Tanagrine elements are mainly identifiable in the ‘melon coiffure’, the intense red colour of the hair and the pose characterised by the turned hip.

For a temple pediment (sima), comprising a curved upper band with polychrome tongue-shaped grooves, a relief depicting a procession of bulls below, the bulls depicted in a dynamic pose with curving necks and raised tails, the horns painted in black; two attachment holes. 4.66 kg, 50 cm



Acquired on the European art market between 1960s-1980s. Property of a gentleman. with Bertolami Fine Arts Ltd, Auction 66, no.1. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12162-218594. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

Terracotta plaques like this sima were used in the pediments of temples (Minerva at Veii, Portonaccio Sanctuary, 540-530 BC), or decorated the architecture of tombs. The procession of the bulls recalls the style of painting on a similar slab with a procession of hunting dogs, probably from Caere.