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LOT 0045
Greek Terracotta Citharode
6TH-4TH CENTURY B.C.
3 3/8 in. (62 grams, 86 mm).
D-shaped in section with close-cut hairstyle, standing, holding a cithara supported on the left arm, strumming with the right hand.
ProvenanceEx Shlomo Moussaieff (1925-2015), Israel.
European private collection.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13107-246791.
Cf. Wardle, A., Musical Instruments in the Roman World, London, 1981, figs.66-79, for Graeco-Roman artworks of people playing cithara.
FootnotesThe cithara was the instrument of the ‘virtuosi’, the principal concert instrument of the ancient Greeks. Its sound box was made of wood and was much bigger than that of the lyra. Strips of copper or horn were commonly incorporated into it, which resonated in sympathy with the strings, giving a great breath of sound.
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AUCTIONS:
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LOT 0045
Greek Terracotta Citharode
Estimate £1,200 - 1,700€1,390 - 1,970 (for guidance only)$1,620 - 2,300 (for guidance only)
Opening Bid
£600 (EUR 696; USD 810) ‡+BP*
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Greek Gold Lion Head Ring with Plaited Band
3rd century B.C. and laterEstimate: £800 - 1,000 (+bp*)
Opening Bid: £400
Formed as a plaited band of gold and silver rods, the finials formed as large lion heads with gaping jaws, a rosette with a rivet behind the neck; possibly a marriage. 8.43 grams, 32 mm
Acquired in London, 1979. -
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Etruscan Carnelian Scarab with Bust of a Warrior in Later Victorian Gold Brooch
5th-4th century B.C. and laterEstimate: £2,000 - 3,000 (+bp*)
Bids: 1 | Current Bid: £1,000
The scarab with anatomical detailing on the carapace, underside with a profile bust of a helmetted warrior; set in a later brooch frame with swivel mount for the scarab. 10.35 grams, 55 mm
Acquired on the European art market. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13358- 257891.
Egyptian-style scarabs and scaraboids were characteristic of Etruscan art from the 8th century B.C. Originally made in Phoenicia, Cyprus or Rhodes, these objects were made of faience, blue paste, glass paste, bone, or semi-precious stones of varying hardness, from steatite to quartz, onyx and jasper. Mounted in settings on revolving pendants of precious metal, later imitated by Etruscan goldsmiths, these Egyptianising items performed prophylactic-religious functions. -
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Greek Terracotta Figure of Eros, the God of Love
Hellenistic, 3rd-1st century B.C.Estimate: £8,000 - 10,000 (‡+bp*)
Opening Bid: £4,000
Modelled nude in a dynamic pose with his wings spread open, the left leg slightly advanced, and the right arm extended with open palm, a diadem or a fillet on his head; circular socket between the wings; accompanied by a display stand. 808 grams total, 31 cm including stand
Louis-Gabriel Bellon (1819-1899) collection, France. European private collection, 2009. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no. 13014-246790.
In classical times, Eros was usually depicted as a handsome adolescent, with only his wings distinguishing him from other kaloi and young athletes. Sometimes he was depicted younger and with less masculine features: Lysippos, in the famous statue of Eros of Thespiae, depicted him as a youth.
