Greek Terracotta Black-Glazed Kantharos

Thick disc with rounded edge, two suspension holes, impressed ellipsoid panel with standing figure of Hermes. 90 grams, 76 mm



Acquired on the European art market in the early 2000s. with Galerie Rhéa, Zurich, Switzerland. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Mould-made female protome with oval face, graceful nose and typical "archaic" smile; forehead framed by snail-shell curls descending to shoulder-height; with a low polos with a central perforation and large disc earrings. 606 grams, 19.5 cm



Ex Herbert A. Cahn, Kunst der Antike, Basel, 1997. with Paul and Vreny Vosseler-Studer, Riehen. Accompanied by a copy of an Art Loss Register certificate no.S00057826. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12474-228714. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Seated on a high-backed throne, wearing a polos headdress with two long braids falling from underneath the headdress, wearing a long chiton fastened by a belt, the left arm raised, possibly once holding a dove; well marked facial features, slightly almond-shaped large symmetrical eyes with slightly raised eyelids, straight nose, strongly pronounced mouth with fleshy lips and shallow ears; traces of brown slip, repaired. 2.02 kg, 57.7 cm



with H.A.C., Basel, prior 1999. Accompanied by a thermoluminescence analysis report no.N125a51 from Oxford Authentication. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.12461-228712. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

One of the most typical 6th century B.C. terracotta female figurines was that of a standing or seated woman wearing a chiton and a himation over it. It was a votive figure offered at the shrines or temples, usually representing the goddess Demeter. Attica was one of the principal centres of figurine production, but Corinth continued to produce solid standing or seated females with moulded fronts and flat backs. The mass production of such terracotta was also typical of Magna Graecia.