Greek Terracotta Black Glazed Bowl

The warrior (Roman Mars) modelled in the round, representing a young muscular hero with long torso and rounded shoulders, wearing a high-crested Illyrian helmet with grooved perimeter, a hole above each ear for attaching an ornament; mounted on a custom-made display stand. 326 grams total, 16.2 cm high including stand



Ex N. Koutoulakis, Geneva. Ex Gorny & Mosch, Munich, 17 June 1999, no.2051. with Sotheby's, New York, 12 June 2001, no.16. with Chrisitie's, New York, 7 December 2007, no.82. with Christie's, London, 2 April 2014, no.125. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11803-206793. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

The statuette assumes the position of the 'warring Mars', which characterises the numerous Etruscan and Italic statues of the god produced as votive offerings to the temples or for private lararia. The god is depicted as taking part in a military march with his left leg advancing, his raised right would have held a spear and the left hand a shield.

For a temple pediment (sima), comprising a curved upper band with polychrome tongue-shaped grooves, a relief depicting a procession of bulls below, the bulls depicted in a dynamic pose with curving necks and raised tails, the horns painted in black; two attachment holes. 4.66 kg, 50 cm



Acquired on the European art market between 1960s-1980s. Property of a gentleman. with Bertolami Fine Arts Ltd, Auction 66, no.1. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12162-218594. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

Terracotta plaques like this sima were used in the pediments of temples (Minerva at Veii, Portonaccio Sanctuary, 540-530 BC), or decorated the architecture of tombs. The procession of the bulls recalls the style of painting on a similar slab with a procession of hunting dogs, probably from Caere.

Engraved to the underside with a reclining zebu facing right with short protruding horns and a pointed ear; smooth, curved top and a narrow longitudinal perforation. 1.83 grams, 15 mm



with Herbert A. Cahn, Basel, 1990s. Accompanied by a copy of an Art Loss Register certificate no.S00075367. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

The body, head and joints are rendered in the “globolo” drilling technique, in which circular recesses of different sizes are carved into the stone, whilst fine cuts are used to depict the horns, ear and tail. In the Achaemenid period, ‘globolo’ style visible on some gemstones, mainly with animal motifs, developed in Syria-Phoenicia, but the gems did not carry specific Persian motifs, except perhaps this series with a zebu bull.