Greek Silver Phalera with Dionysus

Hollow-formed and modelled in the round figure of a shaggy ram standing on a rectangular base with the slouching figure of Silenus on his back, clutching a large drinking horn in his right hand; white and red pigment; hollow underside. 257 grams, 12.2 cm



with Fortuna, Galerie fur alte Kunst, Zurich, 1998. Private collection, Zurich, acquired from the above in 2002. with Bonhams, New Bond Street, London, 1 December 2020, no.67. Private collection, UK. Accompanied by copies of the relevant Fortuna, Galerie fur alte Kunst catalogue pages. Accompanied by copies of the relevant Bonhams catalogue pages.

With mammiform body, pedestal base and two loop handles; each side with a facing image of an owl between laurel fronds. 239 grams, 17.5 cm



Swiss private collection, assembled in the 1960s-1970s. Private collection, acquired in 2013. Accompanied by a thermoluminescence analysis report no.N126a14 from Oxford Authentication. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12854-241751.

Bubo was the holy beloved magical owl of the goddess Athena, and it was a common subject from the Greek ceramists. The owl-skyphos, originally produced in 5th century Athens, was extremely popular and was exported from Athens to other parts of the Greek world, including southern Italy and Etruria. Local imitations have been excavated at Corinth, and during the fourth century, or perhaps even slightly earlier, skyphoi similar to those from Athens were produced in Apulia and Etruria.

With flared mouth, wide neck, bulbous body and ring foot, painted in brown and red matte glaze; geometric pattern spread over several registers separated by bundles of encircling stripes, triangles with hatching inside them, neck with metopes containing swastikas, rosettes and rhombuses with a band of rhombuses beneath; the shoulder with five line friezes arranged one above the other; the body decorated with meander and a band of rhombuses and triangles with hatching below, a broad black stripe (in places reddish as a result of misfiring) to the lower part; transition to the ring foot and ring foot painted black; wide strap handle attached to the shoulder and painted on the outside with a wavy line framed by dots, edge stripes and three small stars, the connecting bar patterned with stripes; museum-quality restoration. 2.04 kg, 35.5 cm



Ex Madame P., Paris. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12460-228686.

Vessels of the Geometric Period (900-700 BCE) are easily recognisable by their abstract decorative designs, which had their origin in woven textiles and baskets. While early period pottery typically has sparse geometric motifs on a black background, the amount of the decoration increased progressively to the point that objects from the late Geometric period are often entirely covered - in this example, even the strap handle.